GOMA to present Cindy Sherman exhibition
Monday 14 March 2016 Share FacebookDelicious Email

blog-2011Cindy Sherman, United States b.1954 / Untitled #462 2007-08 / Colour photograph mounted on aluminium / Purchased 2011 with funds from Tim Fairfax, AM, through the Queensland Art Gallery Foundation/ Collection: Queensland Art Gallery / © The artist

The first major Australian solo exhibition in more than 15 years of work by the renowned New York-based artist Cindy Sherman will open at GOMA from 28 May.

Cindy Sherman is one of the most recognised and influential artists of our time, who across her career has produced an astonishing number of character studies, experimenting with costume, prosthetics, makeup and digital photography to embellish and manipulate photographs in which she enacts her subjects in highly constructed images.

In addition to six important photographic series produced by the American artist since 2000, the exhibition will feature an entirely new body of work created this year and shown for the first time in the Southern Hemisphere.

Consistently featuring in major exhibitions and collections around the world and working alongside prominent fashion houses, Sherman’s practice is both broad and ambitious, and continues to challenge and transform our understanding of photography and the phenomenon of contemporary portraiture.

The exhibition includes more than 50 large-scale works drawn from public and private collections – such as the much written about series ‘head shots’ 2000-02 and the darker ‘clowns’ series from 2003–04, made in the aftermath of the 2001 terrorist attacks in the USA.

Cindy Sherman Untitled, 2008 (MP# CS--466)Cindy Sherman, United States b.1954 / Untitled #466 2008 / Image courtesy: The artist and Metro Pictures, New York / © The artist

Also featured are Sherman’s ‘society portraits’ from 2008, an immense mural whose 5 metre-tall cast of characters loom large over gallery visitors, and two subversive fashion house collaborations, the Vogue-commissioned ‘Balenciaga’ 2007­–08, and ‘Chanel’ 2010–2013 in which the artist mines the fashion house’s haute couture archives.

Sherman focused on the artist’s return as the model after a long period in which she remained behind the camera. This stage of her career coincides with Sherman’s embrace of digital technologies that allow her to create elaborate backgrounds and work at a more imposing scale.

Sherman’s work sets out to capture the essence of ‘a type’ in her meticulously staged photographs. By posing as her own subject, she is able to enter the characters and explore the humour behind exaggerated stereotypes.

Sherman’s practice is influenced by pop culture, by the characters and types we see every day in an image saturated world.

In Sherman’s works from 2000 onward, the subtle yet poignant treatment of the image reflects her deep understanding of the history of portraiture, the value associated with knowledge and the manufacture of image for cultural and societal status.

blog-cindy-sherman-catalogueThe Cindy Sherman publication featuring Untitled #568 on the cover, image courtesy the artist and Metro Pictures, New York / © The artist

The Gallery’s full colour publication for the exhibition features contributions by exhibition curator, Ellie Buttrose; Dr Miranda Wallace, Senior Curator, International Exhibition Projects at the National Gallery of Victoria; American author and close family friend Betsy Berne; and City Gallery Wellington’s Chief Curator Robert Leonard.

‘Cindy Sherman’ is a ticketed exhibition supported by Airline Partner Virgin Australia; Tourism and Media Partners Brisbane Marketing and JC Decaux; and Wine and Sparkling Partner Yering Station.

Tickets $15, Concession $12, QAGOMA Members $11, season passes available from $33; booking fees apply when purchased online. Tickets and further information.

Cindy Sherman
Gallery of Modern Art
28 May – 3 October 2016

Cindy Sherman is renowned as a chameleon; her own image is at the centre of an astonishing gallery of character studies, developed over decades. Sherman has positioned photography as one of the most important contemporary art forms, expanding on contemporary society’s recurrent fascination with female appearance, narcissism, cults of celebrity, aspirational culture, and emotional fragility.

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