What’s so special about being young, anyway?

Hahan’s painting Letters to the Great Saatchi confronts us with a mound of art-world caricatures. An unsightly pile of collectors, curators and critics desperately clamber over one another, their eyes scored and blinded with ambition. Spray-paint vomit and slime ooze forth from the human mountain. Yet one figure has clambered to the top, waving a…

Helen Johnson, Australia b.1979 / Women’s work (1902) 2017 and Women’s work (1912) 2017

The power of a Collective and the power of a vote

Future Collective member Belinda Elderton reports on the art, the tough decisions, and the collective camaraderie of the group’s recent project pitch event At a time when the marriage equality survey is causing the Australian people to question the value of their vote, the QAGOMA Future Collective members demonstrated the uplifting power of democracy at our annual…

New Australian art secures a new generation of support

An important event took place last year when, despite being in its inaugural year and still building momentum, the QAGOMA Future Collective‘s then 28 young and engaged members came together to select the first project to receive their support. Curators passionately championed exciting and distinct projects in spaces across the Gallery. It was not an…

Abdul Abdullah ‘Coming to terms’

Abdul Abdullah,Australia b. 1986 / Groom II (Stratagem), Bride II (Subterfuge), Groom I (Zofloya), Bride I (Victoria) (from ‘Coming to terms’ series 2015) / Chromogenic prints, ed 1/5 + 2AP / Purchased 2015 with funds from the Future Collective through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery / © The artist The…