The life cycles of colours

Australian artist Jonny Niesche’s artworks investigate how we perceive and experience the space around us. In these three pieces — Schein blossom (feueur), Schein blossom (mond), and Schein blossom (sonnen) 2020 (illustrated)  — Niesche stretches multiple layers of digitally printed sheer voile fabric over one another, creating vibrating and pulsating patterns that can be seen…

Living Patterns

‘Living Patterns Contemporary Australian Abstraction’ at the Queensland Art Gallery until 11 February 2024, features the work of contemporary Australian artists who deploy methods of abstraction — obfuscation, codification, reduction — to create their artworks. Mediums vary — from painting and conceptual techniques to sculpture and digital imagery — as do the artists’ concerns, which…

Meet our feline friends

Meee‑ow — we’ve tried to round up our affectionate and furry four-legged friends, these cute house cats are obviously valued for their companionship — from snuggling to being a source of entertainment, to even manipulating us with their unique language and their contented purrs. It’s an interesting fact that meowing is a vocalisation just for…

The Castle of Tarragindi

In a fantastical new Children’s Art Centre project at the Gallery of Modern Art (GOMA) until 14 July 2024, Australian artist Natalya Hughes brings to life her vision for a castle interior that has its roots in both Turin, Italy, and the Brisbane suburb of Tarragindi. The artist explains the project where children can let…

eX de Medici: Hollywood, the patriarchy & political power

eX de Medici’s The System 2023 (dressmaker: Michael Marendy) is based on her three-panel watercolour System (This is the Place Where the Martyrs Grow) 2023 (illustrated). It is the second garment the artist has collaborated on, the first being Shotgun Wedding Dress/Cleave 2015 (dressmaker: Gloria Grady Design (illustrated). Julie Andrews in the wedding gown from…

eX de Medici: Technology & surveillance

eX de Medici has been a strident and consistent critic of humanity’s relentless quest to dominate the natural world, and the technologies that have enabled this behaviour. Her unremitting and ‘forensic’ exploration of the weapon has developed alongside her morbid fascination with the long reach of digital technology. For instance, her watercolours The Theory of…