QAGOMA’s immersive digital experience animates and illuminates the significance of tow row 2016, the bronze fishing net sculpture by leading Queensland artist Judy Watson on permanent display at the entrance to the Gallery of Modern Art (GOMA). Watson was born in Mundubbera in south-east Queensland and the spirit of much of her work stems from…
Continue reading » “Experience Judy Watson’s ‘tow row’ in digital reality”
We highlight five women artists who reflect on the cultural traditions of water, consider our reliance on water, and examine the environmental and social challenges faced by the world today. 1. Lorraine Connelly-Northey Lorraine Connelly-Northey descends from the Waradgerie [artist’s spelling] nation but grew up downstream of the Murray River in Swan Hill, on the…
Continue reading » “5 Women artists with a connection to water”
The Indigenous voice of Australia is over 65 000 years old. During NAIDOC Week 2019, with the theme of ‘voice, treaty and truth’, we invited award-winning author and Mununjali woman Ellen Van Neerven to develop a series of written responses entitled ‘Collecting Australia‘, which draw inspiration from works featured in our Australian Art Collection. This…
Judy Watson’s work including drawing, printmaking, painting and sculpture all reference an Indigenous connection to land and history. Her canvases are not paintings in the classical traditions of European art, they remain unstretched when exhibited, usually pinned to the wall as is sacred ground beating heart (illustrated). One of Watson’s bronze sculptures — tow row (illustrated)…
The story of Judy Watson’s tow row transcends its physical form and speaks of cultural retrieval and community activation. This stunning work, generously funded by the Queensland Government, the Neilson Foundation, Cathryn Mittelheuser AM and others, is a fitting acknowledgment of the ancestor spirit of Kurilpa. Public art has the power to change the cultural…
Judy Watson’s work is deeply connected to concealed histories, the significance of objects and the power of memory and loss. In tow row, Watson has responded to a site close to the Brisbane River by referencing woven nets used by Aboriginal people of the area, acknowledging the traditional owners of the site and their everyday fishing activities…
We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.