Strike a pose: Exploring the self-portrait

‘Strike a pose’ presents artworks made in the first decades of the twentieth century where artists assume the posture of the Grand Manner or ‘swagger’ portrait, exemplified by George Lambert’s The artist and his wife. These paintings are juxtaposed against Yasumasa Morimura’s modern-day parody Doublonnage (Marcel) which riffs on art history and the photographs of Marcel Duchamp, disrupting…

Looking Out, Looking In: Exploring the Self-Portrait

The exhibition ‘Looking Out, Looking In: Exploring the Self-Portrait’ considers the complex and fascinating genre of the self-portrait — a distinct form of portraiture in which subject and artist are one, here we examine the enduring human interest in the self-image, revealing artistic tendencies towards both introspection and flamboyance. ‘Looking Out, Looking In’ is devised…

Reality and Invention: Contemporary Asian art

The 10th Asia Pacific Triennial of Contemporary Art (APT) opening 4 December 2021, presents an opportunity to reflect on the courses that art has taken over the three decades of the APT’s existence. The exhibition ‘Reality and Invention: Contemporary Asian Art’ presents one possible framework for interpreting this history, from the perspective of the emergence…

We can make another future: Japanese art after 1989

‘We can make another future: Japanese art after 1989’ includes works by Yayoi Kusama, Lee Ufan, Daido Moriyama and others. This is an insight into the Heisei period and the works it inspired. Running until September 2015, ‘We can make another future: Japanese art after 1989’ surveys the Gallery’s collection of Japanese contemporary art. The…

We can make another future

More than 37 senior, mid-career and emerging artists’ works, created and collected over the past 25 years, are showcased in ‘We can make another future: Japanese art after 1989’ at GOMA until September 2015. Here, we elaborate on the works themselves and the significance of this milestone. Over the past few years, the Gallery has…