Fairy Tales: Behind-the-seams of the costumes for the film ‘Mirror Mirror’

 

QAGOMA conservator Michael Marendy gives us an insight into Eiko Ishioka‘s exquisitely designed costumes made for the film Mirror Mirror (2012). The ‘Cream wedding dress’ costume (illustrated) worn by Julia Roberts as ‘Queen Clementianna’ is made from 70 metres of Duchess Silk Satin creating a multitude of overlapping petals and vine tendrils from bodice to…

Go back in time when Bowen Terrace was an unquarried cliff

George Seymour Owen’s (1844-1921) watercolours provide an accurate record of the early heritage of Brisbane and the Moreton Bay area. House under Bowen Terrace, Brisbane 1889 (illustrated) of a cottage in inner-city Bowen Terrace, is a detailed representation of a home in the young township of Brisbane. The watercolour shows the unquarried cliff along which…

An essence of stillness

Embracing new visual vocabularies to better express their distinct viewpoints, many notable Australian artists broke from tradition in the 1920s and 1930s and turned to Modernism. At this time, these artists immersed themselves in geometric concepts of space and volume, rhythm and repetition, as well as illusion and flatness. On display within the Queensland Art…

Paul Gauguin’s sculpture reflects his simplified painting style

On display within the Queensland Art Gallery’s International Art Collection, Philip Bacon Galleries (7- 9), the elegant contours of Paul Gauguin’s sculpture Madame Schuffenecker c.1890 (illustrated) reflect the simplified design that is so distinctive in his painting, and which was to become increasingly influential on the work of painters such as Henri Matisse and Pablo…

Woods sculpture celebrated for its formal beauty

Consisting of 30 squared-off tree trunks elaborately carved with a chainsaw and arranged in an orderly open grid, Shigeo Toya’s Woods III 1991–92 (illustrated) on display at the Queensland Art Gallery until 27 January 2025 is celebrated for its formal beauty as well as its poetic and philosophical allusions. For Toya, the recesses and crevices…

Judy Watson surveys the rising tide of climate change

In this large-scale painting moreton bay rivers, australian temperature chart, freshwater mussels, net, spectrogram 2022 (illustrated) on display within ‘mudunama kundana wandaraba jarribirri‘ (tomorrow the tree grows stronger) at the Queensland Art Gallery until 11 August 2024, Judy Watson surveys the rising tide of climate change by representing a bird’s-eye view of Queensland’s Moreton Bay…