Evening (Mt Coot-tha from Dutton Park) 1898 (illustrated) is an accomplished work of a painter aware of the work of his Australian contemporaries Tom Roberts, Arthur Streeton and Charles Conder. Frederick James (FJ) Martyn Roberts, born in 1871 was 27 at the time he completed Evening using the Australian impressionists broad-brushed technique to depict the…
Continue reading » “Go back in time to an evening at Dutton Park in Brisbane”
During springtime, Brisbane is awash with colour — the lavender of the jacaranda mix with an array of red and yellow flowers. Spring is also when you can see the vermilion blooms of the Butea at its peak, due to its fiery appearance, it’s given the name ‘Flame of the Forest’. R (Richard) Godfrey Rivers…
Margaret Olley moved to Brisbane when she was 12 and was a boarder at Somerville House school for girls in South Brisbane from 1937 to 1940 where they were quick to recognise Olley’s talents and recommended to her mother that she attend art school. Her friend and fellow artist Margaret Cilento also began formal art…
Continue reading » “Go back in time to Margaret Olley’s Brisbane”
George Wishart (1872-1921) was born in Brisbane and was taught painting by Isaac Walter Jenner, Brisbane’s foremost marine painter (illustrated below). Wishart also worked professionally as a photographer and was associated with local firm Thomas Mathewson Photographic Studio (see contemporary depictions of Brisbane below). Wishart’s painting A busy corner of the Brisbane River 1897 (illustrated)…
Continue reading » “Go back in time to a busy corner of the Brisbane River”
The time Charles Blackman (1928-2018 ) spent in Queensland was central to his development as one of the most important Australian artists of his generation. It was during his early visits to Brisbane first in 1948 and then regularly from 1951, that the artist experienced the sense of intense personal discovery that was to launch…
Continue reading » “Interior view encapsulates Charles Blackman’s new love and muse”
Together with drawing, watercolour was most often the medium of choice for documenting the early years of settlement in Queensland, especially to depict the landscape, chosen for its ability to record fine detail, evoking atmosphere, and most favoured for its portability and convenience. In this watercolour Farm landscape with colonial homestead 1888 Robert S (Saunder)…
Continue reading » “Go back in time with early Brisbane watercolours”
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