When I find myself booted out of remote access on my computer – again! – I like to reflect on those films that feel my pain. Whether it’s Bishop crawling to the other tower to remote pilot the dropship (Aliens 1986), Neo battling bots while waiting by the telephone – dial up, eek! (The Matrix…
Continue reading » “5 films when remote access was really a problem!”
What a strange and perilous and testing time we find ourselves in. Like art communities and institutions right across the world, QAGOMA has acclimatised to uncertainty as we grapple together with the impact of the COVID-19 pandemic. Being unanchored from our usual workplaces, schedules and habits of a lifetime is disquieting, but it has also…
Continue reading » “QAGOMA during COVID-19: Director’s update”
South Korean artist Gimhongsok’s Canine Construction 2009 brings me a lot of joy. This is one of Gimhongsok’s proposals for public monuments, recognising that no-one ever seems to agree on public art. It’s cast from resin but looks like it’s made out of garbage bags. Sure, there’s an art world in-joke here, looking like a…
Continue reading » “Canine Construction: Visually striking and instantly likeable”
Thai artist Kamin Lertchaiprasert’s parade of papier-mache objects in Problem-Wisdom 1993-95 is a rich and joyous meditation on life. Conjuring up the many creative projects happening in homes around the world at the moment, 366 hand-made papier-mache human figures, animals and an assortment of other objects are laid out in rows on the floor, each…
Continue reading » “Problem-Wisdom: A parade of papier-mache objects”
With Easter festivities at our doorstep, we couldn’t resist sharing our own Easter Bunnies, they don’t have seasonal chocolate eggs to deliver, however what they can do is bring us all some joy. The irreverent appropriation performed by Swiss-born artist Olaf Breuning in his photograph Easter bunnies 2004 creates new meaning through juxtaposition. The significance…
Continue reading » “What do Easter Island monoliths and Mona Lisa have in common?”
We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.