QAGOMA’s well equipped frame studio is unique to any public art museum in Australia, producing all the gallery’s framing needs as well as carrying out conservation and restoration treatments. Go behind-the-scenes with Linda Nathan from Australian Wood Review as she delves into the daily routine of studio life. The Conservation Frames and Furniture Studio at…
Continue reading » “Preserving Our Past: Conservation frames and furniture”
Large scale paintings from Queensland’s Colonial period are extremely rare. (Red-tailed Black Cockatoos) by Anthony Alder (1838-1915) dated c.1895 shows a male and female pair of Red-tailed Black Cockatoos (Calyptorhynchus banksii), also known as Banksian or Banks’ Black Cockatoo, native to Australia and found in eucalyptus woodlands or along water courses. This species has disappeared…
The cultural heritage sector recognises the need to demonstrate a commitment to social, environmental and economic sustainability. Traditionally museums and galleries have been significant consumers of energy and resources — for controlled lighting and air conditioning — but a transformation in our approach to managing the collection environment is underway. The landmark publication The Museum…
Continue reading » “Climate for galleries: An evolution in thinking”
Passionate and rebellious, Helge John ‘Jon’ Molvig (1923–70) was a relentless artistic innovator, who, in the 1950s and 1960s, attained national recognition. Newcastle-born, Molvig moved to Brisbane in 1955 and dominated the city’s art scene until his death just before he turned 47. With great energy, he created figure studies, portraits and landscapes, making radical…
QAGOMA conservators collaborated with specialist East Asian Art Conservator Jennifer Loubser to assess the conservation repairs necessary to stabilise an unusual 8-panel Japanese folding screen, Scenes from Genji Monogatari to allow its safe handling and display – in assessing the condition of the work when it came into the Collection it was found that hundreds…
Continue reading » “Autumn breezes fortified for an abundance of winters to come”
Emily Wakeling continues her conversation with Kim Barrett, Conservator, Works on Paper with a focus on displaying and caring for Japanese Scrolls. The exhibition ‘A fleeting bloom’ at the Queensland Art Gallery (QAG) includes a number of hanging scrolls, and we prepared these delicate works for display. Japanese scrolls are long works on paper that…