Watch as we clean Anthony Alder’s ‘Heron’s home’

Watch our time-lapse as Anthony Alder’s original colours are restored in Heron’s home showing the full tonal range and sharpness of colour. A final varnish layer on a finished painting has been an artistic practice for centuries. Artists often apply a transparent varnish to give saturation and their desired level of gloss to the painting, as well…

Vale: John Rigby (1922-2012)

The passing of John Rigby on 18 October 2012 allows us to reflect on what a senior figure in Queensland and Australian art he was. Rigby began exhibiting in 1941 as a member of the Younger Artists Group of the Royal Queensland Art Society and had some 35 solo exhibitions, principally in Brisbane but also…

Ian Fairweather: Late works

After a restless early life, in 1953 artist Ian Fairweather (1891–1974) consolidated his home and art in a hut on Bribie Island, in Brisbane’s Moreton Bay. The following 20 years saw Fairweather achieve the summation of his life’s labour as a painter and the works from this period brought him enduring fame. From his hut,…

Luke Roberts on Sculpture

Luke Roberts’s Wunderkammer/Kunstkamera (detail) 1994 is an all-encompassing work, it includes found objects, homemade dolls, mementos, remade and modified objects, as well as featuring selected historical works from the Gallery’s Collection. Each object is labelled by the artist, with some labels factual and others taking more creative leaps, and they are presented in a museum…

Gordon Hookey on Sculpture

Gordon Hookey’s King hit (for Queen and Country) 1999 is a provocative work that intimates action. The work consists of a boxing bag painted with porcine depictions of John Howard, Pauline Hanson and David Oldfield who hold their boxing gloves raised at the viewer ready for a fight. Below the bag is set of boxing…