Vale: Leonard French, OBE, and Peter Travis, AM

Signwriter turned painter Leonard French (1928–2017) passed away in January, aged 88. French was an influential artist over a career that spanned six decades, including five years in the 1960s that he spent working on a 50-colour glass ceiling for the NGV’s Great Hall — the artist’s first time working in the medium and considered one of the world’s largest stained-glass ceilings, wrote…

Everyday materials transformed into a large-scale sculpture

In Future Remnant, Australian artists Claire Healy and Sean Cordeiro transform everyday materials into an extraordinary, large-scale sculpture. In a deliberately absurd juxtaposition, a large dinosaur skeleton, meticulously constructed, climbs over makeshift Ikea storage furniture — the ubiquitous kind that appears in many households and magically reappears on the street whenever the city council collects…

Judy Watson introduces ‘tow row’

Judy Watson’s work is deeply connected to concealed histories, the significance of objects and the power of memory and loss. In tow row, Watson has responded to a site close to the Brisbane River by referencing woven nets used by Aboriginal people of the area, acknowledging the traditional owners of the site and their everyday fishing activities…

Arthur Boyd’s Sleeping bride

Arthur Boyd’s Sleeping bride 1957-58 is from the celebrated allegorical series of paintings ‘Love, Marriage and Death of a Half-Caste’ — often known as the ‘Brides’ — Sleeping bride is one of Boyd’s defining contributions to Australian art. The Victorian-born artist is, together with his contemporaries Sidney Nolan, Albert Tucker and Joy Hester, among the towering…

Go behind-the-scenes as we clean ‘Evening (Mt Coot-tha from Dutton Park)’

F.J. Martyn Roberts painting Evening (Mt Coot-tha from Dutton Park) 1898 is an important Brisbane landscape so a six month project carrying out a delicate conservation treatment to clean and restore this work was scheduled. Due to the aging process of the upper varnish layers, and the restoration treatment that had taken place before the painting…

Visit Makarrki, Sally Gabori’s brother’s country

Mirdidingkingathi Juwarnda Sally Gabori lived an entirely traditional life for her first 23 years, moving between her family’s main homeland sites and living according to an unbroken ancestral culture. In 1948, following devastating drought, storms and a near four-metre tidal surge, she and her kin were moved to nearby Mornington Island. In our series on her work…