Dale Harding graduated from the Queensland College of Art in 2014, yet his opportunities and achievements since speak to a much longer practice, indeed a ‘cultural continuum’ to which he is connected through country. His artwork includes wall murals, sculpture and installations which are an exploration of the political histories and presence of his family…
Continue reading » “Dale Harding discusses his incredible year”
Telling the Story of Australian Art in new and innovative ways Swedish-born artist Oscar Friström’s Duramboi 1893 depicts James Davis, a young convict sent from Scotland to Australia. Davis escaped from a Moreton Bay penal colony in 1829 and lived with several Indigenous groups in the area, particularly on Fraser Island (where he was known as…
Telling the Story of Australian Art Your reimagined Australian Collection brings together art from different times and across cultures. After 120 years of building the Collection, there are many stories to tell of traversal and encounter, we focus on this theme as we continue with our series on Australian art. Scottish-born artist Ian Fairweather’s Lights, Darwin Harbour…
Continue reading » “From this island, we look out across the sea”
Sidney Nolan’s painting Mrs Fraser is a captivating story. In 1947 Nolan spent an extended period in Queensland, including several weeks in Brisbane and on Fraser Island (formerly known as Great Sandy Island). In Brisbane’s John Oxley Library he read, among other things, accounts of the shipwreck of the English brig, the Stirling Castle, off…
Continue reading » “Sidney Nolan’s Mrs Fraser is a spectacular colonial narrative”
By telling the story of Australian Art, we can observe the changing nature of portraiture — the shift from democratic modes such as the nineteenth-century photograph, to oil paintings produced after a number of sittings and preparatory sketches. These portraits tell stories of contact between cultures, including colonial and immigrant experiences. Many of these stories connect…
We take a look at William Dobell’s The Cypriot 1940 (illustrated), a portrait of his friend Aegus Gabrielides which is a strange and complex painting with an equally intriguing history. The Gallery’s painting is the last of six known portraits of Gabrielides by Dobell (1899-1970) over a period of several years. RELATED: The life and…
We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.