Totally tapa: Installing Ngatu tā’uli 2011

Tapa cloths are usually much smaller than Ngatu tā’uli  2011. Its size required a specialised installation technique and system that could address its unique properties and needs. Following on from our previous post, conservation staff were key additions to the large team installing the Ngatu tā’uli 2011 tapa for ‘Threads: Contemporary Textiles and the Social…

Totally tapa: Conservation of Ngatu tā’uli

Conservation staff regularly devise unique solutions and techniques to allow large contemporary art works to be safely and elegantly displayed. Here is an insight into the behind-the-scenes work that went towards successfully displaying one of the special acquisitions for GOMA’s 5th Birthday celebrations. The arrival of the tapa was greatly anticipated, not only due to…

Behind the scenes: Matisse ‘The Drawing Room’ 2011

Inspired by the studio interiors and the subject matter used by Henri Matisse throughout his artistic career, GOMA’s iconic Long Gallery has been transformed into an interactive drawing studio and lounge that offers Gallery visitor’s an invitation to create their own art work. The space is broken into series of staged ‘thematic’ tableaux whose content…

Yayoi Kusama, Japan b.1929 / The obliteration room 2002 to present

Before the first dot. Yayoi Kusama’s obliteration room

The installation of Yayoi Kusama’s popular interactive children’s project has taken the work to a new scale, filling our Children’s Art Centre at GOMA. This space has been transformed into a series of domestic—style rooms, reminiscent of the average Australian home, filled with furniture and objects painted entirely white. This functions as a blank canvas that…

Cuzin on Matisse

Today I visited ‘Matisse: Drawing Life’ to look at the interventions of Christophe Cuzin. A contemporary French artist who was brought on board when the Gallery first started thinking about the design of the Matisse exhibition, Cuzin was invited to work with the exhibition’s designers to conceptualise a colour palette for the gallery spaces and…

The book as art

In an age when an increasing number of people are consuming books and texts electronically via screens, the book as object has come to occupy a unique role. The particularly twentieth—century phenomenon of high—end book production by publishers such as Ambroise Vollard, Daniel-Henry Kahnweiler, Albert Skira and Tériade (Stratis Eleftheriades) is broadly known as the…