APT8 insight

An interview with Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian With sharp eyes and wits, three West Asian artists collect multifarious objects and references to create paintings, collage, sculpture and video works. They each have individual practices, as well as collaborating on immersive installations, in which they combine materials to form densely layered ‘wonder-rooms’, where…

APT8: Asim Waqif

We started installing ‘All we leave behind are the memories’  today… follow us for more installation updates on ‘The 8th Asia Pacific Triennial of Contemporary Art‘ (APT8) opening 21 November. Asim Waqif creates large-scale installations built from detritus and found objects, which are informed by principles of architecture, urban planning and interactivity. For APT8, Waqif has created a…

APT8: Philippines and Vietnam

In 2014, Hamish Sawyer travelled to Vietnam and the Philippines with José Da Silva to meet with artists and learn about the context of their artworks for ‘The 8th Asia Pacific Triennial of Contemporary Art’. Philippines With a population of over 18 million, the Philippine capital of Manila is the nexus of the country’s art…

Daniel Crooks

Central to Daniel Crooks practice is the idea of the ‘time slice’. By isolating and offsetting small slices of video footage Crooks treats the elements of time and space as a physical and malleable material. ‘Daniel Crooks: Motion Studies’ at the Gallery of Modern Art (GOMA) until Sunday 25 October brings together a selection of…

Robert MacPherson: Reductive logic

The reductive logic that Robert MacPherson applied to his painting practice in the 1970s is applied here to his tool, the standard house painter’s brush. Examining it closely and considering its history, MacPherson traces a backwards path from use, to purchase, to manufacture and sees that the paintbrush is already a painted object. He relinquishes…

Photographs redress stereotypes of the Pacific

This intriguing series of photographs by Yuki Kihara responds to the images of Samoa taken by Alfred Burton, who visited the Pacific in the 1880s, and looks to redress stereotypes of the Pacific perpetuated in colonial photography. In the late nineteenth century, French artist Paul Gauguin borrowed stylistic traits from Italian Renaissance fresco painting to…