Artists announced for ‘Contemporary Australia: Women’

The latest in the Gallery’s ‘Contemporary Australia’ triennial series of exhibitions is set to celebrate Australia’s female artists from April this year The line-up for the Gallery of Modern Art’s (GOMA) upcoming ‘Contemporary Australia: Women‘ exhibition was recently announced and includes 33 artists and collectives to feature as part of the large scale exhibition opening…

Video art: A changing medium

More than most other artistic fields, video art is dependent on technical equipment. In fact, its development as a medium can be charted with reference not only to evolving aesthetic debates but also to technological innovations that have resulted in new (and often cheaper) cameras, recording media, projectors, monitors and editing techniques. Looking back over…

Totally tapa: Installing Ngatu tā’uli 2011

Tapa cloths are usually much smaller than Ngatu tā’uli  2011. Its size required a specialised installation technique and system that could address its unique properties and needs. Following on from our previous post, conservation staff were key additions to the large team installing the Ngatu tā’uli 2011 tapa for ‘Threads: Contemporary Textiles and the Social…

Totally tapa: Conservation of Ngatu tā’uli

Conservation staff regularly devise unique solutions and techniques to allow large contemporary art works to be safely and elegantly displayed. Here is an insight into the behind-the-scenes work that went towards successfully displaying one of the special acquisitions for GOMA’s 5th Birthday celebrations. The arrival of the tapa was greatly anticipated, not only due to…

Behind the scenes: Matisse ‘The Drawing Room’ 2011

Inspired by the studio interiors and the subject matter used by Henri Matisse throughout his artistic career, GOMA’s iconic Long Gallery has been transformed into an interactive drawing studio and lounge that offers Gallery visitor’s an invitation to create their own art work. The space is broken into series of staged ‘thematic’ tableaux whose content…

Yayoi Kusama, Japan b.1929 / The obliteration room 2002 to present

Before the first dot. Yayoi Kusama’s obliteration room

The installation of Yayoi Kusama’s popular interactive children’s project has taken the work to a new scale, filling our Children’s Art Centre at GOMA. This space has been transformed into a series of domestic—style rooms, reminiscent of the average Australian home, filled with furniture and objects painted entirely white. This functions as a blank canvas that…