Brisbane is known as the ‘River City’ and a great way to get around is to jump aboard one of the river cruises or CityCat and ferry services on offer, if you are travelling by land, you can rely on the many vehicle, cycle and pedestrian bridges, although that was not always the case. Both…
Continue reading » “Go back in time before Brisbane’s Grey Street Bridge”
Offering an alternative to Australia’s traditional sun-soaked image, Henry Rielly’s painting Ghost Gully evening 1894 (illustrated) suggests a somewhat melancholy sentiment, with a group of three dead trees in the middle ground and two lone Bushmen setting up camp as the darkening shadows of evening descend. The scene is set at Ghost Gully, a small…
Continue reading » “Go back in time to an evening at Ghost Gully in Stanthorpe”
Evening (Mt Coot-tha from Dutton Park) 1898 (illustrated) is an accomplished work of a painter aware of the work of his Australian contemporaries Tom Roberts, Arthur Streeton and Charles Conder. Frederick James (FJ) Martyn Roberts, born in 1871 was 27 at the time he completed Evening using the Australian impressionists broad-brushed technique to depict the…
Continue reading » “Go back in time to an evening at Dutton Park in Brisbane”
Hidden beneath the stage of the purpose-built Australian Cinémathèque at the Gallery of Modern Art (GOMA), and only revealed for special screenings is our much loved 1929 Wurlitzer Style 260 Opus 2040 Pipe Organ. It is a rare opportunity to be able to view silent films on the big screen some hundred years since ‘talkies’…
Continue reading » “Wurlitzer brings silent films back to life”
On 18 September 1894 local artist and president of the Queensland Art Society, R Godfrey Rivers, sent to the Queensland Government a full proposal for a State Art Gallery, Rivers noted that the Government was already in possession of a number of fine engravings. He suggested in his proposal that about fifty be mounted and…
Continue reading » “Queensland’s National Art Gallery: The opening Collection”
The Gallery recently acquired a fine piece of late-nineteenth-century, Queensland-made jewellery — the D Mackay and Co. Gold and topaz bangle c.1900 (illustrated). Its making and provenance builds on an earlier Queensland piece already in the Collection — the Hogarth, Erichsen & Co. Archer mourning brooch c.1860 (illustrated). Together, these beautiful objects tell the historic…
Continue reading » “Family jewels tell two Queensland stories”
We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.