Judy Watson’s work including drawing, printmaking, painting and sculpture all reference an Indigenous connection to land and history. Her canvases are not paintings in the classical traditions of European art, they remain unstretched when exhibited, usually pinned to the wall as is sacred ground beating heart (illustrated). One of Watson’s bronze sculptures — tow row (illustrated)…
Sidney Nolan’s painting Mrs Fraser is a captivating story. In 1947 Nolan spent an extended period in Queensland, including several weeks in Brisbane and on Fraser Island (formerly known as Great Sandy Island). In Brisbane’s John Oxley Library he read, among other things, accounts of the shipwreck of the English brig, the Stirling Castle, off…
Continue reading » “Sidney Nolan’s Mrs Fraser is a spectacular colonial narrative”
By telling the story of Australian Art, we can observe the changing nature of portraiture — the shift from democratic modes such as the nineteenth-century photograph, to oil paintings produced after a number of sittings and preparatory sketches. These portraits tell stories of contact between cultures, including colonial and immigrant experiences. Many of these stories connect…
The story of Judy Watson’s tow row transcends its physical form and speaks of cultural retrieval and community activation. This stunning work, generously funded by the Queensland Government, the Neilson Foundation, Cathryn Mittelheuser AM and others, is a fitting acknowledgment of the ancestor spirit of Kurilpa. Public art has the power to change the cultural…
Judy Watson’s work is deeply connected to concealed histories, the significance of objects and the power of memory and loss. In tow row, Watson has responded to a site close to the Brisbane River by referencing woven nets used by Aboriginal people of the area, acknowledging the traditional owners of the site and their everyday fishing activities…
F.J. Martyn Roberts painting Evening (Mt Coot-tha from Dutton Park) 1898 is an important Brisbane landscape so a six month project carrying out a delicate conservation treatment to clean and restore this work was scheduled. Due to the aging process of the upper varnish layers, and the restoration treatment that had taken place before the painting…
Continue reading » “Go behind-the-scenes as we clean ‘Evening (Mt Coot-tha from Dutton Park)’”
We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.