1929 Wurlitzer brings silent films back to life

Hidden beneath the stage of the purpose-built Australian Cinémathèque at the Gallery of Modern Art (GOMA), and only revealed for special screenings is our much loved 1929 Wurlitzer Style 260 Opus 2040 Pipe Organ. It is a rare opportunity to be able to view silent films on the big screen some hundred years since ‘talkies’…

Experience Judy Watson’s ‘tow row’ in digital reality

QAGOMA has launched an immersive digital experience that animates and illuminates the significance of tow row 2016, the bronze fishing net sculpture by leading Queensland artist Judy Watson on permanent display at the entrance to the Gallery of Modern Art (GOMA). Watson was born in Mundubbera in south-east Queensland and the spirit of much of…

Wattle: From the illustrations of May Gibbs to Ellis Rowan’s watercolours

Welcome to Spring. National Wattle Day was first celebrated in New South Wales, Victoria and South Australia on 1 September 1910, then in Western Australia and Queensland in 1912. Wattle had become a symbol of Australian national identity from Federation — becoming one nation — the Commonwealth of Australia, on 1 January 1901. Branches of…

Back through time: Brisbane’s Randall Art Gallery

Richard John Randall (1869-1906) was a Brisbane based artist known for his watercolours and paintings of Australian landscapes. After studying abroad from 1891 and exhibiting at the Royal Academy of Arts in London, he returned to Brisbane in 1899 and established his own residence and art studio at Cordelia Street in South Brisbane. He also…

The Golden Book of Gifts

Once upon a time… there was a Golden Book of Gifts… Imagine our surprise when The Wolfsonian–Florida International University Library in Miami Beach, Florida contacted the QAGOMA Research Library seeking information on the John Darnell Bequest and an item in their collection The Golden Book of Gifts. Delving into the Library archives revealed a strange…

Go behind-the-scenes as we conserve Ian Fairweather’s paintings

In 1957, artist James Gleeson, then art critic at The Sun newspaper, wrote that the paintings of Ian Fairweather (1891-1974) would never last.1 Reputedly using whatever materials came to hand within his itinerant lifestyle, the paintings of Fairweather are renowned as much for their fragility as their beauty, and this is part of their appeal.…