The Hermannsburg School is an art movement that began at the Lutheran mission of Hermannsburg in Central Australia in the 1930s, inspired by Arrernte artist Albert Namatjira who was born there. Following Namatjira’s early sell-out exhibitions, members of his extended family and his community – most of whom were already making art in some form – became interested in painting. A dynamic group of Arrernte painters emerged to become the first generation of the Hermannsburg School of landscape painting.
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First generation of the Hermannsburg School
Albert Namatjira’s first student was Walter Ebatarinja, an owner of the country around Ntaria (Hermannsburg) and husband of Namatjira’s niece – this kinship to country and family meant he would be taught first. Soon after, Namatjira’s sons Enos, Oscar, Ewald, Keith and Maurice, and son-in-law Benjamin Landara, would join him on painting trips. By 1950, community members including Otto, Edwin and Reuben Pareroultja; Henoch and Herbert Raberaba; Claude Pannka; Gustav Malbunka; Adolf Inkamala; and Richard Moketarinja joined the movement. Cordula Ebatarinja, Namatjira’s niece and wife of Walter Ebatarinja, also joined in 1950, becoming one of the first Aboriginal women artists recognised by the art world.
When Namatjira moved from the mission to Alice Springs, many of his family and painting mates followed, looking for greater access to economic markets and essential services, outside of the control of the mission. Unable to access accommodation and other basic services, they lived at Morris Soak, a fringe camp outside of the town, which still exists. The unique styles developed by many of these first-generation artists have been retained as a family style by their descendants.
Following years of exploitation, the artists formed Iltja Ntjarra (Many Hands Art Centre), a place for the children and grandchildren of Namatjira and his contemporaries to continue this important Aboriginal and Australian art tradition.
Bruce McLean is former Curator, Indigenous Australian Art, QAGOMA
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Acknowledgment of Country
The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) acknowledges the traditional custodians of the land upon which the Gallery stands in Brisbane. We pay respect to Aboriginal and Torres Strait Islander elders past and present and, in the spirit of reconciliation, acknowledge the immense creative contribution Indigenous people make to the art and culture of this country.
It is customary in many Indigenous communities not to mention the name or reproduce photographs of the deceased. All such mentions and photographs are with permission, however, care and discretion should be exercised.
Feature image detail: Clara Inkamala’s (Emu and chicks) 2002