Sidney Nolan, Australia/England 1917-1992 / Mrs Fraser 1966

Sidney Nolan’s Mrs Fraser is a spectacular colonial narrative

Sidney Nolan’s painting Mrs Fraser is a captivating story. In 1947 Nolan spent an extended period in Queensland, including several weeks in Brisbane and on Fraser Island (formerly known as Great Sandy Island). In Brisbane’s John Oxley Library he read, among other things, accounts of the shipwreck of the English brig, the Stirling Castle, off…

Patricia Piccinini, Australia b.1965 / The Bond 2016

Patricia Piccinini: Curious affection

The most ambitious exhibition of work by Patricia Piccinini exclusively at the Gallery of Modern Art (GOMA) in March 2018, became GOMA’s largest ever solo exhibition by an Australian artist. Featuring more than 50 new and recent works by the globally renowned artist, ‘Patricia Piccinini: Curious Affection‘ included sculpture, photography, video, drawing and installation, as…

William Yang: portraits

My Generation Queensland-born, Sydney-based artist William Yang describes a moment in Sydney when a number of creative groups came together to generate an artistic wave that swept across Australian society. The intersections of the tight literary circle of Nobel award winner Patrick White and his partner, Manoly Lascaris, with the theatrical circle, their friends Jim…

Gerhard Richter, Germany b.1932 / Ella (903-1) 2007 / Oil on canvas / Private Collection / © Gerhard Richter 2017

Gerhard Richter’s remarkable command of style and genre

‏For more than fifty years, Gerhard Richter has proven his remarkable command of almost every style and genre of painting. That Richter is both a figurative and abstract painter is one of the most surprising aspects of his art. His painting encompasses realism based on photographs and magazine cuttings, large-scale abstracts produced by dragging layers…

Auschar Chauncy, England/Australia b.c.1836-1877 / Portrait of Richard Edwards 1874

We all call Queensland home

By telling the story of Australian Art, we can observe the changing nature of portraiture — the shift from democratic modes such as the nineteenth-century photograph, to oil paintings produced after a number of sittings and preparatory sketches. These portraits tell stories of contact between cultures, including colonial and immigrant experiences. Many of these stories connect…