Beyond the experience of listening: Céleste Boursier-Mougenot’s musical installation

Céleste Boursier-Mougenot’s installations combine the technical with the aesthetic and sensorial; the artist refers to them as functioning like a ‘dispositif’ rather than an installation. The term, loosely translated as device or structure, foregrounds the potential to engage viewers in both the operational and aesthetic components of a work. From here to ear (v. 13)…

Through a Glass, Darkly: The Films of Ingmar Bergman

Ingmar Bergman is one of the true luminaries of post-war European cinema. In a career lasting more than half a century, he crafted films with a passion and potency matched by few other directors. His films are known for their explication of deep religious concerns, their heartfelt understanding of the intricacies of human relationships, and…

Galvanised into action: The transformation of the Queensland Art Gallery

When the Queensland Art Gallery opened in a new building at South Brisbane in 1982, the contrast with the first art gallery established in Queensland could not have been more marked. The Queensland National Art Gallery was established in 1895, occupying a room on the first floor in the Brisbane Town Hall.1 It was truly…

The flower becomes me

Ikebana is the art of arranging flowers and other natural materials in accordance with particular aesthetic principles. The art originated in Japan many centuries ago. Early in the twentieth century, Ikebana master Sofu Teshigahara considered that ikebana should be enjoyable and creative, yet maintain its links to the old traditions. So, in 1927, he founded…

How culture binds Australia and Papua New Guinea

Yesterday marked the close of ‘No. 1 Neighbour: Art in Papua New Guinea 1966-2016‘. This was a landmark exhibition, the first in Australia to exclusively explore contemporary Papua New Guinean art. The exhibition showcased Papua New Guinea’s vibrant art world for new audiences in Australia who are not often exposed to the rich artistic traditions…