Charles Blackman while in Brisbane in early 1948 met the young artists of the Miya Studio, including Laurence Hope, Don Savage, and Laurence Collinson, and the closely affiliated group of Barjai writers, including Barrett Reid. DELVE DEEPER: KNOW BRISBANE through the QAGOMA Collection SIGN UP NOW: SUBSCRIBE TO QAGOMA BLOG for the next Queensland Story…
Continue reading » “Charles Blackman and Brisbane’s young artists and writers”
For the duration of the ‘The 8th Asia Pacific Triennial of Contemporary Art’ (APT8) our Research Library is sharing APT archival material, with displays changing regularly. The archives include artwork proposals, objects and project documentation relating to the work of artists from Australia, Asia and the Pacific, dating back to the early 1990s. A few…
On 8 January 2016 it was replicant Roy Batty’s birthday… the future, according to Blade Runner 1982, is here. One of Blade Runner’s central characters Roy Batty is an android illegally on earth who has made his way to the dystopian, rain-soaked Los Angeles attempting to extend his limited life span of only four years…
Over several years spent in Queensland, Charles Blackman was nurtured by a series of relationships and profound connections to place, and these inspired some of his most innovative and important works. During his first visit to Brisbane in 1948 Blackman experienced a period of intense personal discovery essential to the launch his career; he found…
Continue reading » “The lure of Brisbane’s sun on Charles Blackman”
After resigning from journalism cadetship at the Sydney Sun, Charles Blackman (12 August 1928-2018) hitchhiked to Brisbane in early 1948 for his first visit. He met the young artists of the Miya Studio, including Laurence Hope, Don Savage, and Laurence Collinson, and the closely affiliated group of Barjai writers, including Barrett Reid, and, most significantly,…
Continue reading » “Charles Blackman’s connection to Brisbane”
The post-9/11 rise of Islamophobia and subsequent polarisation of many Muslim filmmakers requires a sophisticated examination of the multiplicity of Muslim voices and viewpoints. This is just what the rich and diverse ‘The Asia Pacific Triennial of Contemporary Art’ (APT8) cinema project ‘Pop Islam’ strives to do, writes Anne Démy-Geroe. Spirituality, rather than religion, has been cited by artists…
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