‘GOMA Q’ Emerging Writers competition – by Sarah Bradley

In conjunction with ‘GOMA Q: Contemporary Queensland Art’, emerging writers had the opportunity to enter the ‘GOMA Q’ Emerging Writers Competition, launched on the opening weekend of the exhibition. A judging panel comprised of the Emerging Creatives team and the QAGOMA Blog coordinator had the difficult task of choosing a winner and four talented runners up from…

GOMA Q: Kim Guthrie in conversation

Kim Guthrie is a compulsive photographer. He documents his encounters with the people, objects, scenes, signs and settings that he encounters daily in his surrounds and travels. Guthrie explains: I’ve spent most of my career to date being overlooked and ignored because the world admires popular culture and my worldview is an un-popular culture — things the…

Madeleine Kelly creates birds using drink containers

Madeleine Kelly is well known for her figurative paintings that assemble information gleaned from the fields of archaeology and the sciences. Her works convey an ecological awareness with a stroke of magic realism. In this installation, Kelly has recreated species of birds – somewhat whimsically, using Tetra Pak drink containers – that she has identified…

GOMA Q: Liam O’Brien in conversation

Liam O’Brien’s video work addresses contemporary societal pressures and the resulting sense of confusion and alienation felt by many in today’s world. Specifically, the artist conveys the difficulty in resolving feelings of desire, intimacy and belonging, and how these feelings are appropriated, exploited and negated. Domestication is on view in ‘GOMA Q: Contemporary Queensland Art’ currently at…

‘GOMA Q’ Emerging Writers competition – by Kathleen Morrice

In conjunction with ‘GOMA Q: Contemporary Queensland Art’, emerging writers had the opportunity to enter the ‘GOMA Q’ Emerging Writers Competition, launched on the opening weekend of the exhibition. A judging panel comprised of the Emerging Creatives team and the QAGOMA Blog coordinator had the difficult task of choosing a winner and four talented runners up from…

Robert MacPherson: Returning to colour

In the Mayfair (Peerless) series MacPherson returns to colour after thinking it inessential, and generally maintaining a monochromatic palette for his paintings of the 1970s. Taking their name from MacPherson’s drycleaner, the Peerless works use a drycleaner’s receipt with its sequence of named colours as a plan for making suites of single-colour paintings. In this…