APT8 One Year Out: NZ, Hawai‘i, PNG, Solomon Islands, New Caledonia

With performance in its various forms proposed as a major theme for APT8, I felt that the Pacific representation should look not only at the products of performance — live presentations and recordings of performances, songs and dances, as well as body adornment — but also at the important cultural work that it does. This…

APT8 One Year Out: India, Nepal

India has remained a pivotal part of the history of the APT. April last year, I travelled to India with Maud Page, Deputy Director, Collection and Exhibitions during the Indian general election, the largest election in human history, eager to see what was new and hoping to reach outside the art centres of Mumbai and…

APT8 One Year Out: China, Mongolia

China remains a focus in our research toward APT8, but, as with anything regarding this remarkable country at this point in its history, the focus is shifting and broadening. Beijing and Shanghai remain the centres of Chinese contemporary art, but as the cost of living in these two megacities continues its dramatic rise, distinctive artistic…

Making Mutants

Svenja Kratz (Recipient of QAGOMA’s 2012 Queensland New Media Scholarship) has recently returned from undertaking a five month residency at the Art and Genomics Centre in Leiden, The Netherlands. Kratz discusses how the award helped furthered her progressive new media practice at the intersection of biology, science and art. As a child I was always…

Vale: Mirdidingkingathi Juwarnda Sally Gabori

QAGOMA is saddened by news of the passing of Mirdidingkingathi Juwarnda Sally Gabori. On behalf of the family and Mornington Island Community, MiArt released the following statement: Mirdidingkingathi Juwarnda (Mrs Gabori) b.c.1924 to 11 February 2015, who was and is, a respected traditional Kaiadilt elder died peacefully surrounded by family and friends this morning. She is a…