APT8: A sense of unease undermines tranquillity

Paphonsak La-or’s sharply realistic drawings, paintings and conceptual works critique Thai politics and history. His recent series ‘Silent No More’ features empty landscapes around Fukushima and Futaba in Japan, areas abandoned following the 2011 nuclear disasters. La-or viewed the terrain obsessively through Google Maps and discovered a connection between his fascination with these quiet, uninhabitable…

The APT8 archive – then and now

For the duration of the ‘The 8th Asia Pacific Triennial of Contemporary Art’ (APT8) our Research Library is sharing APT archival material, with displays changing regularly. The archives include artwork proposals, objects and project documentation relating to the work of artists from Australia, Asia and the Pacific, dating back to the early 1990s. Daging Tumbuh…

APT8: The ancient art of Mithila painting and drawing

Pushpa Kumari and Pradyumna Kumar are Mithila artists. Dating from at least the fourteenth century, Mithila painting and drawing is an ancient art form traditionally practised by women in the Mithila region of Bihar in northern India and Nepal. For several centuries it was used to mark rituals and ceremonies, particularly weddings, and created mostly…

APT8: Kalam Patua’s contemporary storytelling

Kalam Patua is a contemporary exponent of Kalighat painting. He was born into the Patua community of scroll painters and storytellers and subsequently taught himself the Kalighat style, which draws on conventions from West Bengal scrolls and Indian miniature painting. Kalighat painting developed in the vicinity of the Kali temple in Kolkata (formerly Calcutta) in…

Then and now: The APT8 archive

For the duration of the ‘The 8th Asia Pacific Triennial of Contemporary Art’ (APT8) our Research Library is sharing APT archival material, with displays changing regularly. The archives include artwork proposals, objects and project documentation relating to the work of artists from Australia, Asia and the Pacific, dating back to the early 1990s. A few…

Pop Islam cinema project at APT8

The post-9/11 rise of Islamophobia and subsequent polarisation of many Muslim filmmakers requires a sophisticated examination of the multiplicity of Muslim voices and viewpoints. This is just what the rich and diverse ‘The Asia Pacific Triennial of Contemporary Art’ (APT8) cinema project ‘Pop Islam’ strives to do, writes Anne Démy-Geroe. Spirituality, rather than religion, has been cited by artists…