“And this is what we call, area five… the Pacific Art collection”, the heavy metal doors open sending out a cool breeze. Stepping inside I remember the words of my Mum and Aunties, don’t forget to call yourself back, you don’t want to be lost in there… a warning that our soul and spirit are…
For artists and arts workers, meaningful community engagement requires a long-term commitment to learning, write ACE Project team members Moale James and Osanna Fa’ata’ape, who here explore the ‘The 10th Asia Pacific Triennial of Contemporary Art (APT10) project’s aims through a reflective case study and poem. For the Australian Centre of Asia Pacific Art (ACAPA)1…
To coincide with the opening of ‘The 10th Asia Pacific Triennial of Contemporary Art’ (APT10), QAGOMA released the second stage of the Asia Pacific Art Papers: Contemporary Contexts, Practices, Ideas — a free digital publication produced in three stages that contains new insights into the changing conditions and practices of artists in the region. DELVE…
Continue reading » “Stage two: Asia Pacific Art Papers: Contemporary Contexts, Practices, Ideas”
To coincide with the tenth edition of the Asia Pacific Triennial of Contemporary Art exhibition series, QAGOMA launches Asia Pacific Art Papers: Contemporary Contexts, Practices, Ideas — a free digital publication offering new insights into the changing conditions and practices of artists in the region. Published in three stages — before, during and after ‘The 10th…
Continue reading » “Asia Pacific Art Papers: Contemporary Contexts, Practices, Ideas”
QAGOMA’s Research Library is home to the documentation behind the Asia Pacific Triennial series of exhibitions, which forms the basis of the archives of the Australian Centre of Asia Pacific Art (ACAPA). In preparation for the 2016 exhibition ‘No.1 Neighbour: Art in Papua New Guinea 1966–2016’, curator Ruth McDougall delved into 23 years of archival…
Continue reading » “Photography: A visual reference for curators and researchers”
‘A Bit Na Ta’ locates the – source of the sea – Blanche Bay, Rabaul – in the Tolai language of East New Britain. It is also the title of a project commissioned for the upcoming Queensland Art Gallery exhibition ‘No 1 Neighbour: Art in Papua New Guinea 1966-2016’. Comprising a music video installation and performance event, the…
Continue reading » “A Bit Na Ta: A Sense of Place, Rabaul, Papua New Guinea/ Part 2”
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