In his lifetime, Ian Fairweather (29 September 1891–1974) — one of Australia’s greatest artists who painted some of his most celebrated works here in Queensland, on Bribie Island — created two masterworks relating to stories of Christ’s life: the occasion of Christ’s birth which he painted in 1962, titled Epiphany (illustrated), purchased by the Gallery…
Continue reading » “Gethsemane: Ian Fairweather’s masterwork”
In 1957, artist James Gleeson, then art critic at The Sun newspaper, wrote that the paintings of Ian Fairweather (1891-1974) would never last.1 Reputedly using whatever materials came to hand within his itinerant lifestyle, the paintings of Fairweather are renowned as much for their fragility as their beauty, and this is part of their appeal.…
Continue reading » “Go behind-the-scenes as we conserve Ian Fairweather’s paintings”
Once you’re famous there’s just no way to keep your letters out of the hands of the curious! Letters give us a humanising insight into the private world of an artist. They can provide a glimpse into their daily life, travel, friendships, moments of joy and despair as well as their creative process — that’s…
The QAGOMA Research Library holds a collection of letters, photographs and other memorabilia relating to the famously reclusive artist Ian Fairweather, who spent the last two decades of his life in a hut on Bribie Island. A new book Ian Fairweather: A Life in Letters from Text Publishing compiles several hundred of Fairweather’s letters, which…
Ian Fairweather’s cryptically titled painting MO, PB and the ti-tree was first exhibited, though not for sale, at the Macquarie Galleries, Sydney in 1965, in an acclaimed exhibition that highlighted works from the ‘Drunken Buddha’ series, as well as other recent paintings. A beautiful fabric of planes [that] tremble and fluctuate, support or oppose the…
Continue reading » “Ian Fairweather commemorates Margaret Olley’s visit to Bribie Island”
The image of the artist working in his Bribie Island hut was taken late in Ian Fairweather’s career. Due to ill health he had virtually stopped painting by 1972. This image (illustrated), plus images taken in the 1960s show the artist working with many open tins of commercially made house paints. Paintings were either worked…
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