Documenting Queensland’s history through watercolour

Watercolours feature in the earliest records of European exploration and settlement of Australia. Its continuous presence in the history of Queensland art has changed and evolved with shifts in culture, as well as with the demands and innovations of its practitioners. We look at the medium’s important role in enriching Queensland’s visual history. Together with…

Conrad Martens, England/Australia 1801-1878 / Forest, Cunningham's Gap 1856 / Watercolour on paper / Purchased 1998 with funds raised through The Conrad Martens Queensland Art Gallery Foundation Appeal and with the assistance of the Queensland Government's special Centenary Fund / Collection: Queensland Art Gallery

We consider depictions of the land

Highlighted in our third post on your Australian Art Collection reimagined are works which are included in the chronological ‘spine’ along the back wall of the Josephine Ulrick and Win Schubert Galleries. Adjacent to Dale Harding’s wall commission view works from both the European landscape tradition and representations of country by Aboriginal artists. DELVE DEEPER: KNOW BRISBANE…

Conrad Martens: ‘The bark hut on the plain, Darling Downs, Qld’

A watercolour by Conrad Martens was acquired at auction provides new insights and connections to the colonial history of Queensland’s Darling Downs. In late 1851 the Sydney-based painter Conrad Martens (1801–78) arrived in Brisbane from Sydney via sea, and for the next few months travelled on horseback across the Great Dividing Range to the Darling…