Go back in time with Queensland’s commanding ‘Glengallan’ sideboard

The ‘Glengallan’ sideboard 1868 is one of Queensland’s most significant examples of heritage furniture. While the backboard depicts the national symbols of an emu and a kangaroo, the inclusion of the lorikeet and pineapple give it a more local flavour. The carving is attributed to Matthew Fern, who was appointed the first instructor of wood…

Documenting Queensland’s history through watercolour

Watercolours feature in the earliest records of European exploration and settlement of Australia. Its continuous presence in the history of Queensland art has changed and evolved with shifts in culture, as well as with the demands and innovations of its practitioners. We look at the medium’s important role in enriching Queensland’s visual history. Together with…

Conrad Martens, England/Australia 1801-1878 / Forest, Cunningham's Gap 1856 / Watercolour on paper / Purchased 1998 with funds raised through The Conrad Martens Queensland Art Gallery Foundation Appeal and with the assistance of the Queensland Government's special Centenary Fund / Collection: Queensland Art Gallery

We consider depictions of the land

Highlighted in our third post on your Australian Art Collection reimagined are works which are included in the chronological ‘spine’ along the back wall of the Josephine Ulrick and Win Schubert Galleries. Adjacent to Dale Harding’s wall commission view works from both the European landscape tradition and representations of country by Aboriginal artists. DELVE DEEPER: KNOW BRISBANE…

Conrad Martens: Insights into Queensland’s history

The watercolour The bark hut on the plain, Darling Downs, Qld., Mount Sturt from Glengallan c.1850s by Conrad Martens (1801–78) provides new insights and connections to the colonial history of Queensland’s Darling Downs. In late 1851 the Sydney-based painter Martens arrived in Brisbane from Sydney via sea, and for the next few months travelled on…