Some 125 years on from its establishment, QAGOMA has received the largest philanthropic gift in its history: a $35 million bequest from the late Win Schubert AO (1937–2017), which will indelibly transform the Collection. The inspiring gift has established The Josephine Ulrick and Win Schubert Charitable Trust and will support the acquisition of major Australian…
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Since around 1985, local arts, cultural and educational programs have benefited significantly from the unassuming and intelligent philanthropy of Margaret Mittelheuser AM (1931–2013) and Cathryn Mittelheuser AM, and since 2001 over 100 works have been acquired for the Collection through the generous patronage of sisters, placing them among the Gallery’s most consistent and longstanding donors.…
Continue reading » “A Singular Vision: Supporting the Collection”
Now in its third year, QAGOMA’s youngest supporter group, the Future Collective are putting their combined might behind Australian artists and investing in the development of the Gallery’s Collection. The group met at GOMA last month to discuss all things commissioning and hear from the artist they voted to commission two new works by in…
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It was with deep sadness that the Gallery – and the greater Queensland arts community – said farewell to one of its greatest supporters and friends, Mrs Win Schubert AO, following her recent passing. Mrs Schubert was one of the most generous benefactors in the QAGOMA Foundation’s 37 year history. Her inspiring patronage – which spanned…
The outstanding contributions of three of the Gallery’s most dedicated benefactors have recently been honoured with new named acknowledgments. Alongside our GOMA Turns 10 celebrations, the three named spaces provide an excellent opportunity for us to recognise the crucial importance of benefaction to the Gallery, and in particular the inspiring giving of the three donors being…
My earliest memory of the Queensland Art Gallery would either be the impossible tension that Rene Magritte creates by stripping the twilight out of his sudden juxtapositions of night and day, or the deep perspective of a lonely Giorgio de Chirico piazza rich with a sense of loss and the horizon’s unlikely possibility. Both were…
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