What’s so special about being young, anyway?
Hahan’s painting Letters to the Great Saatchi confronts us with a mound of art-world caricatures. An unsightly pile of collectors, curators and critics desperately clamber over one another, their eyes scored and blinded with ambition. Spray-paint vomit and slime ooze forth from the human mountain. Yet one figure has clambered to the top, waving a…
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