QAGOMA Foundation: Integral to the story of our Collection

As the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) celebrates 125 years since its establishment on 29 March 2020, we look at the role of the Foundation in sustaining a philanthropic community at QAGOMA that has been integral to the story of the Gallery’s Collection and the success of its exhibitions and other…

Ian Fairweather: Life lines

The QAGOMA Research Library holds a collection of letters, photographs and other memorabilia relating to the famously reclusive artist Ian Fairweather, who spent the last two decades of his life in a hut on Bribie Island. A new book Ian Fairweather: A Life in Letters from Text Publishing compiles several hundred of Fairweather’s letters, which…

Margaret Olley: A muse and artistic subject for others

Margaret Olley’s friendships with artists are chronicled in their pictures of her, such as William Dobell’s 1948 Archibald Prize–winning painting, works by Russell Drysdale and Jeffrey Smart and, much later, Ben Quilty’s 2011 Archibald Prize–winning portrait. No other subject has won the Archibald twice (self-portraits by Brett Whiteley and William Robinson aside), and the 63-year…

Ian Fairweather commemorates Margaret Olley’s visit to Bribie Island

Ian Fairweather’s cryptically titled painting MO, PB and the ti-tree was first exhibited, though not for sale, at the Macquarie Galleries, Sydney in 1965, in an acclaimed exhibition that highlighted works from the ‘Drunken Buddha’ series, as well as other recent paintings. A beautiful fabric of planes [that] tremble and fluctuate, support or oppose the…

Margaret Olley’s generous life

The influence of Margaret Olley AC (1923–2011) on the history of twentieth-century Australian art exceeds even the impressive body of work she produced during her lifetime. Now, as during her long and productive career, Olley remains widely admired for her luminous, life-affirming approach to painting, and the constancy and bravura with which she pursued her…