When Robert MacPherson AM died, on 12 November 2021, aged 84, Australia lost one of the most important artists of his generation. What made his contribution so remarkable was the way in which he translated the arcane languages and modes of contemporary art, particularly those of conceptualism and minimalism, into images and objects that formed…
From the factory to the office, and from the studio to the streets, ‘Work, Work, Work’ brings together artworks from across the globe that respond to the ideas of labour. The concept of ‘work’ expands beyond the eight-hour working day as artists explore how we invest time and effort in education, the creation of artworks…
The reductive logic that Robert MacPherson applied to his painting practice in the 1970s is applied here to his tool, the standard house painter’s brush. Examining it closely and considering its history, MacPherson traces a backwards path from use, to purchase, to manufacture and sees that the paintbrush is already a painted object. He relinquishes…
Robert MacPherson’s work is often positioned against the historically pervasive national traditions in Australian art of landscape painting and heroic narrative. His works evoking landscape and important figures are tinged with irony, and attempt to look beyond stereotype and jingoism. Yet still they suggest something specifically Australian – whether it is language, food or cultural…
Continue reading » “Robert MacPherson: A simplistic view of a national art”
In the Mayfair (Peerless) series MacPherson returns to colour after thinking it inessential, and generally maintaining a monochromatic palette for his paintings of the 1970s. Taking their name from MacPherson’s drycleaner, the Peerless works use a drycleaner’s receipt with its sequence of named colours as a plan for making suites of single-colour paintings. In this…
The Peter Tyndall and Robert MacPherson Correspondence Archive 1979–2014 in the QAGOMA Research Library is the result of 35 years of exchange between these celebrated Australian artists. They began corresponding after their first meeting at Ray Hughes Gallery in Brisbane in 1979 when the artworks for Tyndall’s exhibition at the gallery were stuck in transit due…