Intimately sized plaques allude to public memorials
Indigenous Australian objects and remains were removed from their resting places and collected by museums throughout the nineteenth and twentieth centuries. In To know and possess 2021 (illustrated), which adopts the commemorative trope of the bronze plaque, Kamilaroi artist Warraba Weatherall highlights this history, and the debate that continues around repatriation, for contemporary audiences. ARTWORK…
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