In 1940, William Dobell (1899-1970) returned to Australia after ten years in Europe. He completed The Cypriot (illustrated) that same year, a portrait of his friend Aegus Gabrielides. Was it the first major painting he produced, and what is the mystery behind the work? RELATED: The life and art of William Dobell DELVE DEEPER: The…
Continue reading » “The Mystery behind William Dobell’s ‘The Cypriot’”
Margaret Olley moved to Brisbane when she was 12 and was a boarder at Somerville House school for girls in South Brisbane from 1937 to 1940 where they were quick to recognise Olley’s talents and recommended to her mother that she attend art school. Her friend and fellow artist Margaret Cilento also began formal art…
Continue reading » “Go back in time to Margaret Olley’s Brisbane”
In 1942 a visit by Daphne Mayo (1895-1982) to William Dobell’s Kings Cross studio in Sydney resulted in the acquisition of The Cypriot 1940 (illustrated) for the Queensland National Art Gallery’s Collection (now QAGOMA). Just two years after its completion Mayo had purchased Dobell’s largest and most ambitious work — the subject of many preliminary…
Margaret Olley’s friendships with artists are chronicled in their pictures of her, such as William Dobell’s 1948 Archibald Prize–winning painting, works by Russell Drysdale and Jeffrey Smart and, much later, Ben Quilty’s 2011 Archibald Prize–winning portrait. No other subject has won the Archibald twice (self-portraits by Brett Whiteley and William Robinson aside), and the 63-year…
Continue reading » “Margaret Olley: A muse and artistic subject for others”
Ben Quilty reflects on his friendship with Margaret Olley, and the lasting influence of her support on his practice. Olley was a generous donor, mentor to emerging artists and a firm friend to many. Ben Quilty in conversation Olley (1923–2011) was the subject of Quilty’s 2011 Archibald winning portrait. His portrait is of an unflinching…
The influence of Margaret Olley AC (1923–2011) on the history of twentieth-century Australian art exceeds even the impressive body of work she produced during her lifetime. Now, as during her long and productive career, Olley remains widely admired for her luminous, life-affirming approach to painting, and the constancy and bravura with which she pursued her…
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