Margaret Rarru Garrawurra creates timeless forms

Arnhem Land artist Margaret Rarru Garrawurra has won the prestigious National Aboriginal and Torres Strait Islander Art Award for 2022 with a work featuring her signature rich black-dyed pandanus which she is renowned for. A closely-guarded process she discovered through rigorous experimentation, the dense charcoal coloration emphases the hand-weaving process. You can view works by…

Go back in time with Brisbane’s two finest craftsmen

There is little furniture from the Arts and Crafts period in Queensland that can match the fluid carving of the art nouveau foliate motifs in this hallstand from the 1920s, the scale and workmanship bears the mark of two of Queensland’s finest craftsmen — John Merten and Lewis Jarvis (LJ) Harvey. John Merten (1861-1932) was…

Transitions Now: Contemporary Aboriginal Forms & Images

In ‘Transitions Now: Contemporary Aboriginal Forms and Images’ at the Gallery of Modern Art (GOMA), innovative textured and sculpted works illustrate Aboriginal Australian artists’ ongoing commitment to declaring their identity and vital presence in contemporary society. In dynamic juxtapositions, individual and group artistic statements predominate over strictly held categories, demonstrating the immeasurable contribution Aboriginal artists…

Grace Cossington Smith’s modern world

Deep water, Bobbin Head c.1942 (Illustrated) on display in the Queensland Art Gallery’s Australian Art Collection, Josephine Ulrick and Win Schubert Galleries (10-13) is a work that held special meaning for modernist Grace Cossington Smith, the artist captures the landscape at Bobbin Head, near her North Sydney home, in broad brushstrokes and iridescent colour. Grace…

Jewel box and other treasures

Queensland ceramicist Jessie Gibson (1932—2021) was a fierce advocate for the promotion and understanding of craft artforms. Gibson’s gift to the Gallery, comprising some 48 artworks, collectively capture the energy and innovation of 29 Australian ceramicists and glass artists during the 1980s and 90s. ‘My concerns are the promotions of all crafts, especially quality ceramics,…