Judy Watson surveys the rising tide of climate change

In this large-scale painting moreton bay rivers, australian temperature chart, freshwater mussels, net, spectrogram 2022 (illustrated) on display within ‘mudunama kundana wandaraba jarribirri‘ (tomorrow the tree grows stronger) at the Queensland Art Gallery until 11 August 2024, Judy Watson surveys the rising tide of climate change by representing a bird’s-eye view of Queensland’s Moreton Bay…

Telia rumal: Double ikat textiles from South India

This collection of extraordinary telia rumal (some of which are on display within the exhibition ‘I Can Spin Skies’ at the Queensland Art Gallery’s Henry and Amanda Bartlett Galleries (5 & 6) was made using time-consuming double ikat dyeing techniques. Few weavers still maintain the skills required to create these attractive textiles, in part because…

Photogrammetry: 3D imaging of Fred Embrey’s ceremonial figure

As part of QAGOMA’s Digital Transformation Initiative (DTI), the Gallery’s photography team collaborates with conservators, coders and designers in its quest to make the Collection available to everyone. One way the DTI team improves how we understand, care for and represent artworks is through 3D digital capture. Made possible at QAGOMA through the support of…

Art Nouveau jewellery

Crafted by French master horn-carver Georges Pierre (1873–1943), Cicada pendant necklace c.1910 (illustrated), and three other delicate examples of Art Nouveau jewellery already in the Collection, greatly enhances the Gallery’s holdings from this significant period. Georges Pierre ‘Cicada pendant necklace’ c.1910 The shapes and rhythms of nature inspired the style now recognised as Art Nouveau.…

The Shahnameh: Persian miniatures

The Gallery has acquired ten miniature paintings from a volume of the Shahnameh, or ‘Book of Kings’, by the Persian poet Abu’l Qasim Firdausi (935–1020CE), the epic poem captures the lives and stories of the ancient Iranian kings, from the creation of the world to the Arab conquest of Iran in 642.1 The Shahnameh —…

How do we perceive light, space & colour?

Australian artist Taree Mackenzie creates videos and installations that explore how we perceive light, space and colour. The artist’s ‘Pepper’s ghost’ works stem from the optical illusion of the same name, originally popularised in the 1800s in Victorian stagecraft and entertainment and named after British scientist and inventor John Henry Pepper. Still commonly used in…