Conserving Gordon Bennett’s diptych ‘Number three’

Unconventional types of damage require unconventional treatment strategies. This is certainly true for the collaborative major treatment QAGOMA’s paintings conservation team completed on Gordon Bennett’s (1955 – 2014) Number three 2004, a significant diptych painted in acrylic on Belgian linen. Bennett is well-known for his highly figurative narrative-driven commentaries on Australian colonial history and contemporary…

Old Master prints of the fifteenth century

Masters of the fifteenth century, such as Lucas van Leyden and Heinrich Aldegrever, transformed printmaking into a refined art form and have influenced artists for centuries. The Gallery’s historical international holdings of Old Master prints comprised of etchings, woodcuts and engravings by artist–printmakers from the fifteenth to the eighteenth centuries includes works by Lucas van…

Naomi Hobson: Distinctive ceramics

Distinctive ceramic works by Naomi Hobson mark not only a new direction in her art practice, but also a celebration of Indigenous culture and people coming together over great distances. Naomi Hobson is one of a new generation of contemporary Indigenous artists who is already making her mark nationally. Hobson is from the Kaantju/Umpila language…

Boomerang: Ai Weiwei’s waterfall-style chandelier

Composed of 270 000 crystal pieces, Boomerang is an imposing example of internationally renowned Chinese-born artist Ai Weiwei’s strategy of working playfully across cultural contexts. Shaped after the iconic Aboriginal throwing tool, this oversized, intensely lit, waterfall-style chandelier fills the soaring space above the water in the Queensland Art Gallery Watermall as if it were…

Get up, stand up: Queensland Indigenous art

A new exhibition of Indigenous art takes movement, both literal and figurative, as its theme, inspired by the well-known song of the same name, ‘Get Up, Stand Up’ features ceramics, sculpture, etchings, photography and painting by artists across Queensland whose works are underpinned by the desire for engagement and justice. ‘It’s not all that glitters…