Gavin Hipkins references a past that haunts the future

Set along the Brisbane River, the dual projections of The Precinct 2018 in ‘The 9th Asia Pacific Triennial of Contemporary Art’ (APT9) continue Gavin Hipkins’s blurring of documentary and experimental narrative film structures. The double perspectives draw on and quote from the first published novel set in Brisbane, The Curse and its Cure (1894) by…

An incident at Romani: In memory of the Light Horse Field Ambulance

Remembrance Day has a special significance in 2018. Sunday 11 November marks the 100th anniversary of the Armistice which ended the First World War (1914–18), signed 11am on 11 November 1918. One hundred years on we remember those who have given their lives in conflict before and since, by taking a minute to stop, be…

Passage to Belle-Île

John Russell, like his contemporaries Claude Monet and Henri Matisse, were particularly captivated and inspired by the small island of Belle-Île, with its vivid turquoise waters, steep cliffs and craggy rock formations. Roger Benjamin visited France’s wild Atlantic coast to explore the island’s resonance as a motif in French painting. In June 2018, before the…

A fleeting bloom: Conserving Japanese folding screens

‘A fleeting bloom: Japanese Art from the Collection’ is the debut exhibition for a number of historical folding screens that recently entered the QAGOMA Collection as part of the James Fairfax AC Bequest. The Curatorial team for Asian art worked closely with Conservation staff on this project and Emily Wakeling recently met behind-the-scenes with Kim…

Eight majestic rings of Tutana and Loloi commissioned for APT9

Following years of collaboration and building relationships, the Gallery recently commissioned and acquired eight majestic rings of Tutana of Loloi created by a group of Gunantuna (Tolai) men from Nangananga village in East New Britain, Papua New Guinea. Designed to mesmerise their viewer, the spectacular rings are banks of shell money and objects of social value. The…