Go back in time and explore Queensland through photography

The surname should be familiar, taking its name from Richard Daintree (1832-78), the Daintree Rainforest near Mossman — north of the regional city of Cairns — is part of the largest continuous area of tropical rainforest in Australia and the oldest surviving tropical rainforest in the world. A number of features in North Queensland have…

William Bustard: Australian camouflage artist

Queensland artist William Bustard (1894–1973) is well known as an artist, illustrator and stained-glass window designer whose artworks are held in Australian public collections, including QAGOMA (Brisbane townscape 1928 illustrated is on display in the Australian Art Collection, Queensland Art Gallery). Born in England in 1894, Bustard and his wife Lily migrated to Queensland in…

Go back in time to 1885 when Brisbane was a young township

Harriet Jane Neville-Rolfe’s watercolour Houses of Parliament, Brisbane 1885 (illustrated and currently on display at the Queensland Art Gallery) was painted just before the artist left Australia to return to England. We can clearly see Queensland’s Parliament House and other recognisable Brisbane landmarks from across the river in a depiction of the daily life of…

Stained glass windows in memory of ANZACs

Three Queensland Anzacs — Hogarth brothers Alexander Forbes (1886–1915), Archibald McDonald (1879–1916) and Joseph (1877–1918) — are remembered in stained glass windows designed by local artist William Bustard (1894-1973) in St Andrews Anglican Church (illustrated) at Pittsworth, a town in the Darling Downs region, 41 kilometres from Toowoomba and 169 kilometres south-west of Brisbane, and…

Go back in time when Brisbane was a busy shipping port

Two paintings by Isaac Walter Jenner (1836-1902) Brisbane from Bowen Terrace, New Farm 1888 (illustrated) and View of Brisbane 1885 (illustrated) are currently on display. Such paintings at the time of their execution supplied the population of Brisbane with artistic impressions of their new home, and in some ways validating it — art as a…