Brisbane is known as the ‘River City’ and a great way to get around is to jump aboard one of the river cruises or CityCat and ferry services on offer, if you are travelling by land, you can rely on the many vehicle, cycle and pedestrian bridges, although that was not always the case. Both…
Continue reading » “Go back in time before Brisbane’s Grey Street Bridge”
Wutan #2 2014 (illustrated) depicts a specific tract of land and its waterways in the Cape York region, Far North Queensland, leading to a site of significance to Mavis Ngallametta (1944–2019) — a sister work to Ngak-pungarichan (Clearwater) 2013 (illustrated). This large portrait-format landscape uses its height to chart a tract of land and water,…
Continue reading » “Mavis Ngallametta’s ‘Wutan’ has personal significance”
The exhibition ‘Embodied Knowledge’ may have closed, however you can still delve into our video archive of Queensland contemporary art and artists from the far north, the Gulf of Carpentaria and Torres Strait Islands to Moreton Bay and surrounding Brisbane. DELVE DEEPER: Artists and artworks PUBLICATION: Available at the QAGOMA Store and online ‘Embodied Knowledge:…
Queensland artist Joe Furlonger’s practice is informed by his early years in semi-rural Samford, on the north-west outskirts of Brisbane, which profoundly influenced his career as an artist by instilling in him a love of the outdoors. At 17 years of age, he went to work as a deckhand on commercial fishing boats, periodically returning…
Continue reading » “Joe Furlonger: Where sea meets land & sky”
Brisbane-born Lloyd Rees (1895–1988) is known for his fluid, light-saturated paintings of the Australian landscape in which the human figure and built environment harmonise with trees, cliffs and bodies of water. The artist is also remembered for his expert drafting skills honed over a lifetime of close observation and drawing, with a selection currently on…
Continue reading » “Lloyd Rees: The process of observation & composition”
Offering an alternative to Australia’s traditional sun-soaked image, Henry Rielly’s painting Ghost Gully evening 1894 (illustrated) suggests a somewhat melancholy sentiment, with a group of three dead trees in the middle ground and two lone Bushmen setting up camp as the darkening shadows of evening descend. The scene is set at Ghost Gully, a small…
Continue reading » “Go back in time to an evening at Ghost Gully in Stanthorpe”
We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.