Experience Judy Watson’s ‘tow row’ in digital reality

QAGOMA has launched an immersive digital experience that animates and illuminates the significance of tow row 2016, the bronze fishing net sculpture by leading Queensland artist Judy Watson on permanent display at the entrance to the Gallery of Modern Art (GOMA). Watson was born in Mundubbera in south-east Queensland and the spirit of much of…

Significant Australian Ceramics

Australian ceramic pieces dating from the 1960s to 1980 by six highly respected ceramic artists and teachers of the period are fine examples of the artists’ practices at influential periods of their careers. You can view a selection of QAGOMA’s ceramics in Gallery 3 at the Queensland Art Gallery. Ivan Englund In 1956, Ivan Englund…

The Archibald Prize: A Century of portraits

This year marks 100 years of Australia’s oldest portrait award — The Archibald Prize — hosted by the Art Gallery of New South Wales. Since 1921 the prize, painted from life, has attracted National interest, controversy, court cases and continually sparks numerous debates, so to celebrate its centenary, we’ve made a list of works from…

Irene Entata: Painted ceramics

Three painted terracotta pots currently on display in Gallery 3 at the Queensland Art Gallery (QAG) by Arrernte–Luritja artist Irene Entata depict three distinct periods in Arrernte artist Albert Namatjira’s life, including the sad circumstances of his death. One of the foremost artists of the Hermannsburg Potters, Irene Entata (1946–2014), is known internationally for her…

Margaret Olley follows Conrad Martens in painting the McPherson Range

Margaret Olley (1923-2011) was deeply grateful when in 1962 her close friend, poet and art critic Pam Bell (1928-1995) invited Olley to visit her family home at Aroo station in Boonah (illustrated), just west of Ipswich near Brisbane. It provided Olley with new subject matter for a number of regional landscapes and homestead portraits, not…

Documenting Queensland’s history through watercolour

Watercolours feature in the earliest records of European exploration and settlement of Australia. Its continuous presence in the history of Queensland art has changed and evolved with shifts in culture, as well as with the demands and innovations of its practitioners. We look at the medium’s important role in enriching Queensland’s visual history. Together with…