Tomás Saraceno is renowned for his ambitious sculptures and installations that take the form of webs and interconnected spheres or bubbles. His work is influenced by ideas of networking and ecology, looking to the systems and forms found in nature as the basis for his work. He has an ongoing interest in the structure of spiders’…
Continue reading » “How did we install Tomás Saraceno’s Biospheres?”
The nature of what we eat as well as the abundance or absence of food is indication of culture and class. As powerful social marker the distribution, production and control of food will always be packed with politics. ‘Harvest’ looks at art on the subject of food and farming, spanning across time and reaching to…
Continue reading » “Residues of Living: The art of Martha Rosler and Simryn Gill”
Private collector and Gallery benefactor Glenn Manser has gifted an astounding number of works to the Collection’s Indigenous Australian art holdings — this reflects a longstanding relationship with the Gallery that began in 2008. Bruce McLean spoke to Manser about what building a collection means to him. Related: Glenn Manser Stay Connected: Subscribe to QAGOMA…
Dutch photographer Ans Westra’s beautiful black-and-white photographs from two important series from the 1960s depict a day in the life of a large Māori family in rural New Zealand. For over 50 years, Dutch-born photographer Ans Westra has been absorbed by the documentation of Māori communities in Aotearoa New Zealand. Her often frank photographic portraits…
With the generous assistance of Michael Sidney Myer, the Gallery recently acquired this deceptively simple yet emotionally complex work by Vietnamese artist Danh Vo, for the Kenneth and Yasuko Myer Collection of Contemporary Asian Art. Over the past five years, Danh Vo has emerged as one of the most acclaimed young artists working internationally. Since…
Despite a nostalgic turn to the past, writes Morris Low, printmakers in postwar Japan were increasingly open to international influence. ‘Hanga’ not only showcases the Gallery’s stunning collection of historical and contemporary prints but also illustrates how important the medium was, and still is, in Japan. ‘Hanga’ pays homage to the modern Japanese print movement…
We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.