Behind the scenes: Matisse ‘The Drawing Room’ 2011

Inspired by the studio interiors and the subject matter used by Henri Matisse throughout his artistic career, GOMA’s iconic Long Gallery has been transformed into an interactive drawing studio and lounge that offers Gallery visitor’s an invitation to create their own art work. The space is broken into series of staged ‘thematic’ tableaux whose content…

Yayoi Kusama, Japan b.1929 / The obliteration room 2002 to present

Before the first dot. Yayoi Kusama’s obliteration room

The installation of Yayoi Kusama’s popular interactive children’s project has taken the work to a new scale, filling our Children’s Art Centre at GOMA. This space has been transformed into a series of domestic—style rooms, reminiscent of the average Australian home, filled with furniture and objects painted entirely white. This functions as a blank canvas that…

Edgar Degas captures a candid moment in the life of a dancer

Margaret Olley was an important benefactor and tremendous supporter of QAGOMA and this gift — a bronze sculpture of a dancer by Edgar Degas, called Danseuse regardant la plante de son pied droit (Dancer looking at the sole of her right foot) c.1882-1900, cast before 1954 (illustrated) is a lasting legacy to the people of…

Harder than it looks

My line drawing is the purest and most direct translation of my emotion. The simplification of the medium allows that. At the same time, these drawings are more complete than they may appear to some people who confuse them with a sketch. Henri Matisse, ‘Notes of a painter on his drawing’, 1939 Henri Matisse wrote…