Bundaberg Post Office: Then (1891) & Now

Although the artist of A view of the new Post Office & School of Arts, Bourbong St. Bundaberg from Barolin St., Augt. 1st 1891, Queensland 1891 (illustrated) is unknown — like the artists of many images of nineteenth century Queensland — the watercolour quite possibly by an architectural draftsman, is significant in showcasing the growing…

Fairy Tales: Witchiness

In fairy tales, women are often cast in the role of maiden, (step)mother or crone, many stories focus on the transition from girlhood to womanhood, with marriage (and motherhood) the ideal outcome. Coming-of-age journeys in classic tales, however, are often fraught. There are dangers for girls who fail to adhere to societal expectations — they…

The Shahnameh: Persian miniatures

The Gallery has acquired ten miniature paintings from a volume of the Shahnameh, or ‘Book of Kings’, by the Persian poet Abu’l Qasim Firdausi (935–1020CE), the epic poem captures the lives and stories of the ancient Iranian kings, from the creation of the world to the Arab conquest of Iran in 642.1 The Shahnameh —…

Live Music & Film: Man with a Movie Camera meets Man with Violin

Live Music & Film returns to the Australian Cinémathèque, GOMA at 11am on Sunday 25 February 2024 with the joyous Man with a Movie Camera 1929 and a live score played on stage by Jonny Ng from Camerata — Queensland’s Chamber Orchestra. Shot by a Polish filmmaker in Moscow as well as Odesa and Kyiv…

Fairy Tales: Lost children

Not all those who find themselves deep in the woods have gone there willingly, with lost or abandoned children recurrent characters in fairy tales — at a time when women frequently died in childbirth, their remaining children often faced challenging domestic situations. In ‘Hansel and Gretel’, the siblings are abandoned in the woods by their…

Rosalie Gascoigne: An alternative form of art making

Rosalie Gascoigne (25 January 1917–1999) first came to public attention in the mid 1970s through her installations and boxes of found objects. She is best known, however, for her wall-based assemblages, which brought diverse materials from everyday life into new frames of reference. Gascoigne worked with items that had been discarded and left to weather,…