Ginger Riley Munduwalawala, Garimala (The Two Snakes) 1988

Albert Namatjira’s lasting legacy on display

The life and work of Albert Namatjira have left a lasting legacy for artists throughout the country. Visit our new Collection display ‘Indigenous Australian Collection: Namatjira Story‘ which features both early works by Albert Namatjira alongside artworks by those he influenced. As a boy in the 1950s, Ginger Riley Munduwalawala, a Mara painter from the Gulf…

Arrernte watercolour by Lenie Namatjira, Glen Helen Station 2010

Arrernte Watercolours integral in the Namatjira story

The Hermannsburg School of watercolour painting is the longest continuing contemporary Aboriginal art movement, spanning the period from the mid 1930s to today. This important movement was established at Ntaria (Hermannsburg) before moving to Alice Springs, 125 kilometres to the east. Here, the families of the original painters have continued the tradition, living and working…

Namatjira story

Albert Namatjira (28 July 1902 – 8 August 1959) was a Western Arrernte-speaking Aboriginal artist from the MacDonnell Ranges, west of Alice Springs in Central Australia. His Western-style landscapes, different from traditional Aboriginal art, made him a celebrated pioneer of contemporary Indigenous Australian art in the 1950s and the most famous Indigenous Australian of his generation.…

Albert Namatjira’s legacy celebrated

‎The first chapter in the newly reconfigured Australian Collection display at the Queensland Art Gallery (QAG) is now open, leading with an exploration of the life and lasting legacy of Albert Namatjira. ‘Indigenous Australian Collection: Namatjira Story’ concentrates on one of the largest thematic holdings in the Gallery’s Collection, including a special focus on the…

Bridge from North Shore

Margaret Preston is best known for the striking paintings and woodcut prints that she produced from the 1920s until the 1950s. Bridge from North Shore is a bold and decorative work and a fine example of the artist’s style during this period. Like the floral still-lifes the artist produced at this time, many details of…

Church interior

Church interior depicts Grace Cossington Smith’s family place of worship, St James’s Anglican Church in Turramurra, Sydney. The painting alludes to the impact of the Second World War on the home front by the absence of men of enlistment age in the congregation. Church interior exhibits the pure, singing quality of her finest paintings and…