Australian artist Jonny Niesche’s artworks investigate how we perceive and experience the space around us. In these three pieces — Schein blossom (feueur), Schein blossom (mond), and Schein blossom (sonnen) 2020 (illustrated) — Niesche stretches multiple layers of digitally printed sheer voile fabric over one another, creating vibrating and pulsating patterns that can be seen…
Australian artist Isaac Walter Jenner (1836–1902) painted Cape Chudleigh, Coast of Labrador in 1893 and reworked it in 1895 (illustrated). The grand history painting depicts the search led by British naval officer, hydrographer, and explorer Sir Edward Belcher (1799–1877) to rescue the ill-fated 1845 British expedition by Sir John Franklin (1786–1847) which set out to…
Continue reading » “Isaac Walter Jenner’s grand history mystery”
We delve into a major reframing project for prominent Queensland ornithological artist and taxidermist Anthony Alder’s (1838-1915) painting Red-tailed Black Cockatoos c.1895 currently on display in the Queensland Art Gallery’s Australian Art collection. Anthony Alder (Standing 3rd from the right) DELVE DEEPER: Go behind-the-scenes as we conserve ‘Red-tailed Black Cockatoos’ The oil on canvas Red-tailed…
Continue reading » “Go behind-the-scenes as we reframe ‘Red-tailed Black Cockatoos’”
This watercolour (illustrated) is a preparatory sketch for the oil painting Slab cottage, Bowen Hills 1894 (illustrated). Isaac Walter Jenner (1836-1902) was interested in the picturesque subject rather than Brisbane’s impressive commercial and public buildings that were already embellishing Queen Street, the main thoroughfare of the city of Brisbane (illustrated). ‘Sketch for ‘Slab cottage, Bowen…
Continue reading » “Step back in time to Brisbane’s pioneering days”
The horse has been a integral part of human history for millennia, prized both for their agility, speed and endurance, or strength needed to pull a plow or a carriage full of people. However improved transportation options towards the end of the 1800s, especially the construction of railways, and the development of new mechanical innovations…
A lively group of seven woodblock prints representing Nagasaki-e and Kaika-e, made during the Edo (1615–1868) and Meiji (1868–1912) eras signal Japan’s radical transition from a closed economy to a modern, industrial nation. Europeans first came to Japan in the 1540s and were initially welcomed. However, the Tokugawa shogunate grew concerned by news of Spanish…
Continue reading » “Woodblock prints signal Japan’s transition to an industrial nation”
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