The horse: Companion & muse

 

The horse has been a integral part of human history for millennia, prized both for their agility, speed and endurance, or strength needed to pull a plow or a carriage full of people. However improved transportation options towards the end of the 1800s, especially the construction of railways, and the development of new mechanical innovations from the early twentieth century including the first mass-affordable automobile, ultimately superseded the four legged version of horsepower and ousting our daily reliance on the horse.

Stan Berriman ‘A man and a boy ploughing a field’ 1938 

Stan Berriman, Australia 1898-1953 / (A man and a boy ploughing a field) 1938 / Gelatin silver photograph on paper / 10.9 x 20.6cm / Gift of the family of Stan Berriman in memory of Mrs V.E. Tremble 1986 / Collection: Queensland Art Gallery | Gallery of Modern Art

Even so, the horse is still part of our daily conversation today with a myriad of horse-related expressions that have been handed down to us over the ages ranging from ‘Get off your high horse’, to ‘Eat like a horse’ just to name a couple; and when Australia stops for one of the most famous races in the world on the first Tuesday of November, we are also reminded of popular horse racing terminology that has also made its way into our everyday language with ‘Jockeying into position’ and ‘Starting from scratch’; and who isn’t tempted to hang a horseshoe over the door for good luck?

Since we’ve gone all horsey, let’s take a look at some of the works in the QAGOMA Collection that feature the horse… they transport us around in carriages, we ride them, race them, study them, document their lives, they are a status and power symbol, our ally in war, we cherish them as close companions, and most importantly, they inspire us to create.

So, next time you visit us, see how many horses you can find, also check out our round-up of cats and dogs in the Collection.

Fairy Tales

If your love of the horse extends to the enchanting world of fairy tales — nothing goes together better than a horse and carriage — there will be a couple of coaches on view in our summer blockbuster, one encrusted in golden crystallised rock sugar (illustrated), and Cinderella’s pumpkin coach on the big screen at the Australian Cinémathèque. Exclusive to Brisbane, the ticketed ‘Fairy Tales‘ exhibition at the Gallery of Modern Art (GOMA) in Brisbane (2 December 2023 until 28 April 2024) and the accompanying free film program ‘Fairy Tales Cinema: Truth, Power and Enchantment’ surveys how fairy tales from across the world have held our fascination for centuries through art and culture.

Timothy Horn ‘Mother-load’ on display in ‘Fairy Tales’ at GOMA

Timothy Horn, Australia/United States b.1964 / Mother-load 2008 / Crystalised rock sugar, plywood, steel / 292.6 x 182.9 x 170.7cm / Courtesy: The artist / Image courtesy: Jason Schmidt / New York Times / Photographer: Jason Schmidt

Cinderella screens in the Australian Cinémathèque at GOMA


Albrecht Dürer ‘The Four Horsemen of The Apocalypse’ 1497–98  

Albrecht Dürer, Germany 1471–1528 / The Four Horsemen of The Apocalypse (from ‘The Apocalypse’ series) c.1497–98, Latin edition, 1511 / Woodcut on laid paper / Purchased 2013 with funds from the Josephine Ulrick and Win Schubert Diversity Foundation through the Queensland Art Gallery | Gallery of Modern Art Foundation Appeal / Collection: Queensland Art Gallery | Gallery of Modern Art

Tosa Mitsuatsu ‘Pair of six fold screens’ 18th century 

Tosa Mitsuatsu, Japan b.fl. 1734-64 / Pair of six fold screens: Scenes from the Genji Monogatari (Tale of Genji) mid 18th century (Edo period) / Gold and colours on paper on six-fold wooden framed screens / 172.3 x 368.2cm (each) / Purchased 2008 with funds from the Estate of Vincent Stack through the QAG Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art

Utagawa Hiroshige III ‘View of trading companies at Yokohama 1871

Utagawa Hiroshige III, Japan 1843-94 / View of trading companies at Yokohama 1871 / Woodblock print, ink and colour on paper / Triptych: 37 x 24.8cm (each panel, approx.), 111 x 74..4cm (overall, approx.) / Purchased 2022 with funds from the Henry and Amanda Bartlett Trust through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art

‘Netsuke: (two horses) 19th century 

Unknown, Japan / Netsuke: (two horses) 19th century / Carved boxwood on flat base / 3.5 x 4.5 x 4cm / Bequest of Karl and Gertrude Langer 1985 / Collection: Queensland Art Gallery | Gallery of Modern Art

George Jones ‘Black horse’

George Jones, England 1786 – 1869 / Black horse / Oil on wood / 30.5 x 22.5cm / Bequest of Mrs Irene Lilian Bingham Stable 1975 / Collection: Queensland Art Gallery | Gallery of Modern Art

ST Gill ‘Overlanders’ 1865 

ST Gill, England/Australia 1818- 80 / Overlanders (from ‘The Australian sketchbook’) 1865 / Colour lithograph on smooth wove paper / 29 x 43.2cm / Purchased 1962 / Collection: Queensland Art Gallery | Gallery of Modern Art

William Strutt ‘Study of a horse’s head1884 

William Strutt, England/Australia 1825-1915 / Study of a horse’s head related to ‘Black Thursday, 6th February, 1851’ c.1884 / Pencil and watercolour wash on smooth wove paper / 22.6 x 25.7cm / Gift of Lady Trout 1981 / Collection: Queensland Art Gallery | Gallery of Modern Art

Harriet Jane Neville-Rolfe ‘Breakfast, Alpha’ 1884 

Harriet Jane Neville-Rolfe, England/Australia 1850-1928 / Breakfast, Alpha (and detail) 1884 / Watercolour over pencil on wove paper / 25.3 x 35.4cm / Gift of the artist’s son in her memory 1964 / Collection: Queensland Art Gallery | Gallery of Modern Art

‘Racing trophy: The Wythes and Hodgson Cup’ c.1870-73 

Attrib. To William Edwards, Australia c.1819-c.1889 / Racing trophy: The Wythes and Hodgson Cup (and detail) c.1870-73 / Narrow necked ovoid body arising from a tree fern stem with incurving handles and cast grapes, parrots and snake decoration. The lid surmounted by a kangaroo. The beaded heptafoil base with repousse rocks, ferns and figures of a male and female Aborigine in oxidised silver. Engraved on one face with an inscription between repousse fern trees and on the other with three horses in full gallop. Mounted on a black turned wooden base with metal plaque / 51 x 15cm (with base) / Gift of Miss Pamela Bell 1985 / Collection: Queensland Art Gallery | Gallery of Modern Art

Eadweard Muybridge ‘Dan’ galloping, saddled’ 1887 

Eadweard Muybridge, United States 1830-1904 / ‘Dan’ galloping, saddled (plate 634 from ‘Animal Locomotion’ album) 1887 / Collotype on paper / 48.3 x 61.2cm / Purchased 1991 with funds from James Hardie Industries Limited through the QAG Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art

Hans Heysen ‘The grass stack 1906

Hans Heysen, Germany/Australia 187 -1968 / The grass stack 1906 / Watercolour over pencil on wove paper on cardboard / 27 x 35.3 cm / Gift of Mrs J.K. Webb in memory of her sister, Miss Eleanor Melba Irwin 1960 / Collection: Queensland Art Gallery | Gallery of Modern Art / © Hans Heysen/Copyright Agency

George W Lambert ‘Bushranger

George W Lambert, Australia/England 1873-1930 / Bushranger / Brush and brown washes over pencil, heightened with opaque white on wove paper / 26 x 18cm / Gift of Lady Trout 1981 / Accession No: 2:1470 / Collection: Queensland Art Gallery | Gallery of Modern Art

George W. Lambert ‘Walk (An incident at Romani)’ 1919-22 

George W. Lambert, Australia/England 1873-1930 / Walk (An incident at Romani) 1919-22 / 92 x 138.1cm / Oil on canvas / Gift of the 2nd Light Horse Field Ambulance in memory of Comrades who did not return from the war c.1922 / Collection: Queensland Art Gallery | Gallery of Modern Art

Hilda Rix Nicholas ‘The fair musterer’1935 

Hilda Rix Nicholas, Australia 1884-1961 / The fair musterer 1935 / Oil on canvas / 102.3 x 160.4cm / Purchased 1971 / Collection: Queensland Art Gallery | Gallery of Modern Art / © Estate of the artist

Irene Mbitjana Entata ‘Albert Namatjira droving 2001 

HERMANNSBURG POTTERS, Northern Territory Australia est. 1990 / Irene Mbitjana Entata, Arrernte/Luritja people 1946-2014 / Albert Namatjira droving 2001 / Earthenware, hand-built terracotta clay with underglaze colours and applied decoration, leather / 53 x 36cm (diam.) (complete) / Purchased 2019. QAG Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Irene Mbitjana Entata/Copyright Agency

Nick Cave ‘HEARD’ 2012 

Nick Cave, United States b.1959 / HEARD 2012 / 15 wearable sculptures (six parts each) OR as a performance, 15 wearable sculptures (six parts each), choreography, musical score and video / Purchased 2016 to mark the tenth anniversary of the Gallery of Modern Art with funds from the Josephine Ulrick and Win Schubert Diversity Foundation through the QAGOMA Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Nick Cave. Photography by James Prinz, courtesy of the artist and Jack Shainman Gallery

Compiled by Elliott Murray, Senior Digital Marketing Officer, QAGOMA

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