Private Collectors, Public Benefactors: Ian & Judeen Airey

Benefactors of the Gallery for 25 years, Ian and Judeen Airey recently raised the Collection’s holdings created by Japan-based French artist Paul Jacoulet from one work to 28. Here, the Aireys share something of themselves and their approach to collecting, and giving, with the wider Gallery community. Paul Jacoulet ‘Une belle de Palaos’ 1935 Paul…

Birds of Passage: The influence of travel & cross-cultural experience

‘Birds of Passage’, a display in Queensland Art Gallery’s Philip Bacon Galleries opening 24 February 2024, sees the works of artists Ian Fairweather and Paul Jacoulet illustrating the influence of travel and cross-cultural experience on their respective works. In bringing together these artists, the Gallery celebrates the power of cultural exchange in creative practice. ‘Birds…

The horse: Companion & muse

The horse has been a integral part of human history for millennia, prized both for their agility, speed and endurance, or strength needed to pull a plow or a carriage full of people. However improved transportation options towards the end of the 1800s, especially the construction of railways, and the development of new mechanical innovations…

Woodblock prints signal Japan’s transition to an industrial nation

A lively group of seven woodblock prints representing Nagasaki-e and Kaika-e, made during the Edo (1615–1868) and Meiji (1868–1912) eras signal Japan’s radical transition from a closed economy to a modern, industrial nation. Europeans first came to Japan in the 1540s and were initially welcomed. However, the Tokugawa shogunate grew concerned by news of Spanish…

North by North-West: Journey across the Northern Territory

Through generations of artistic tradition from the Tiwi Islands, north of Darwin, journeying south to Ntaria (Hermannsburg) and sweeping across the southern Gibson desert, the exhibition ‘North by North-West’ at the Queensland Art Gallery traces the distinctive regional flavours that speak to both ancestral narratives and current social concerns. The recognisable customary Tiwi style, Jilamara,…

Thea Proctor’s woodcut reminds us of life’s simple pleasures

Thea Proctor’s vibrant hand-coloured woodcut Summer, inspired by the tradition of Japanese ukiyo-e prints, brings me joy because it reminds me of life’s simple pleasures (ikigai).  In 1921, having spent much of the past two decades in London, Thea Proctor returned to Australia and settled in Sydney where she became an influential artist and a…