Dale Harding has gained recognition for works that investigate the social and political realities experienced by members of his family, who lived under government control in Queensland around 1930.
As a young Murri, my Ghungalu grandfather Uncle Tim Kemp recalled the death of one young gambi he knew at Woorabinda Aboriginal Settlement. Under the control of the Queensland government of the time and the Department of Native Affairs, she was contracted to work as an indentured domestic at Clermont… As was the longstanding practice, this young woman was locked in her room at night by her ‘employers’ – to deny her any chance of escape and, from some accounts, as an attempt to reduce the chances of sexual assault. This young gambi lost her life after knocking over a kerosene lamp in her locked room. The timber Queenslander caught fire and, as Uncle Tim described, the girl died isolated and alone, away from her home.
their little black slaves, perished in isolation is on view in ‘GOMA Q: Contemporary Queensland Art’ currently showing at the Gallery of Modern Art (GOMA) until 11 October. The accompanying publication profiles the latest innovations and achievements by some of Queensland’s leading visual artists.