Visit Makarrki, Sally Gabori’s brother’s country


Mirdidingkingathi Juwarnda Sally Gabori lived an entirely traditional life for her first 23 years, moving between her family’s main homeland sites and living according to an unbroken ancestral culture. In 1948, following devastating drought, storms and a near four-metre tidal surge, she and her kin were moved to nearby Mornington Island. In our series on her work we look at her brother’s country.

DELVE DEEPER: The life and art of Sally Gabori

Sally Gabori ‘Makarrki – King Alfred’s Country’

Birmuyingathi Maali Netta Loogatha, Artist, Kaiadilt people, Australia b.1942 / Mirdidingkingathi Juwarnda Sally Gabori, Artist, Kaiadilt people, Australia b.c.1924-2015 / Warthadangathi Bijarrba Ethel Thomas, Artist, Kaiadilt people, Australia b.1946 / Thunduyingathi Bijarrb May Moodoonuthi, Artist, Kaiadilt people, Australia b.1929 -2008 / Kuruwarriyingathi Bijarrb Paula Paul, Artist, Kaiadilt people, Australia b.c.1937 / Wirrngajingathi Bijarrb Kurdalalngk Dawn Naranatjil, Artist, Kaiadilt people, Australia 1935-2009 / Rayarriwarrtharrbayingathi Mingungurra Amy Loogatha, Artist, Kaiadilt people, Australia b.1942 / Makarrki – King Alfred’s Country 2008 / Synthetic polymer paint on linen / 200 x 600cm / Purchased 2009 with funds from Professor John Hay AC and Mrs Barbara Hay through the Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © The artists

In 2007, inspired by a return to Country, Sally led a monumental effort to map many important Kaiadilt places through three epic six metre long collaborative paintings alongside her sisters and nieces — Thunduyingathi Bijarrb May Moodoonuthi, Wirrngajingathi Bijarrb Kurdalalngk Dawn Naranatjil, Kuruwarriyingathi Bijarrb Kurdalalngk Paula Paul, Rayarriwarrtharrbayingathi Mingungurra Amy Loogatha, Birrmuyingathi Maali Netta Loogatha and Warthadangathi Bijarrba Ethel Thomas — all of whom were born on Bentinck before the exodus.

The incredibly exuberant works focused on three subjects: Dulka Warngiid and mapping Bentinck Island through their dulkiiwatha (the places they were born and the ties that bind them to those places); Sweers Island, the second largest of the islands of their Kaiadilt Country, including the final resting place of Dibirdibi, the Rock Cod Ancestor; and Makarrki (King Alfred’s Country), mapping the place of King Alfred, a key figure in all of the artists’ lives.

Makarrki is a very special place and has a big river that runs through it. This is where dugong and turtles come on a high tide making it easy for the men to catch them. Mirdidingkingathi Juwarnda Sally Gabori

The head of the Makarrki River, at the heart of the northern shore of Bentinck Island, was an important hunting ground and Sally often recalled the exploits of her brother (or brother-in-law) Tarurukingathi Kulkitji (Buddy) wrestling with dugongs here. It was also the country of her older brother, Makarrkingathi Dingkarringathi Thuwathu Bijarrb (King Alfred). King Alfred was the leader of the main Kaiadilt clan in the years prior to their removal to Mornington Island. He is remembered by his family as a strong warrior and leader.

Visit Sally Gabori’s world to understand her deep connection to Bentinck Island. 

Explore Sally Gabori’s Bentinck Island online interactive

In the late 1940s a period of great drought caused tremendous friction within Kaiadilt society and conflict was common. In a fateful turn of events King Alfred took the life of Buddy, before Buddy’s brother, Kabararjingathi Bulthuku Pat Gabori killed the King and took his younger sister, Sally, as his wife. Sally’s paintings of this place are layered with complex memories and intense emotions.

Sally and her sisters and nieces who collaborated on Makarrki – King Alfred’s Country 2008 (illustrated) have said:

We have painted one of the most important places on Bentinck Island. This is where King Alfred was born. This is his country. King Alfred was Sally’s big brother…. He was famous as a strong warrior and leader; he was feared by other tribes. This place is special to all seven of us. We all have close connection to this country. That is why we picked it as painting for us to do together.

Acknowledgment of Country
The Queensland Art Gallery | Gallery of Modern Art acknowledges the Traditional Owners of the land on which the Gallery stands in Brisbane. We pay respect to Aboriginal and Torres Strait Islander Elders past and present and, in the spirit of reconciliation, acknowledge the immense creative contribution First Australians make to the art and culture of this country.

It is customary in many Indigenous communities not to mention the name or reproduce photographs of the deceased. All such mentions and photographs on the QAGOMA Blog are with permission, however, care and discretion should be exercised.