For ‘The 9th Asia Pacific Triennial of Contemporary Art’ (APT9), QAGOMA Asia Pacific research arm the Australian Centre of Asia Pacific Art (ACAPA) has convened a group of ten highly respected artists, curators, critics and researchers to act as interlocutors, participating in discussions, lending expertise and testing issues in the development of the APT program.…
In the age of the selfie, self-portraiture continues to be a meaningful form of artistic expression. For hundreds of years, artists have created self-portraits as an intimate form of self affirmation, as a public statement about their identity, to showcase their skill, or to shape the way they are perceived. Such images are often self-conscious…
Continue reading » “Me, Myselfie and I, the art of self-portraiture”
Here are the answers to Noel McKenna’s crossword Australian Art History 1933–1978. The work is a larger-than-life crossword in the shape of Australia, intended for an in-crowd interested in Australian art history of the twentieth century. The crossword questions were published in a previous blog, how many did you get right? SIGN UP NOW: Subscribe to QAGOMA…
Continue reading » “Noel McKenna’s larger-than-life crossword solved”
A field of more than 3000 specially created flower sculptures (illustrated) is among a range of immersive must-see artworks premiering in the major solo exhibition ‘Patricia Piccinini: Curious Affection’ now open at the Gallery of Modern Art (GOMA). Patricia Piccinini is one of the most exciting and challenging contemporary Australian artists working today and ‘Curious Affection’,…
Continue reading » “Patricia Piccinini’s major solo exhibition opens at GOMA”
Elizabeth Finkel, former biochemist, and Editor-in-Chief of Cosmos Magazine, a science magazine that she co-founded in 2005, comes to terms with Patricia Piccinini. This is an extract from ‘Lines in the sand: A science writer comes to terms with Patricia Piccinini’ from the exhibition publication supporting ‘Patricia Piccinini: Curious Affection‘. I’m interested in telling stories about the…
Continue reading » “Lines in the sand: Coming to terms with Patricia Piccinini”
Major new works by artists Jonathan Jones (Australia), Aisha Khalid (Pakistan) and Iman Raad (Islamic Republic of Iran), as well as two projects involving more than 30 women artists from the Pacific, are among the highlights of ‘The 9th Asia Pacific Triennial of Contemporary Art’ (APT9) at QAGOMA until 28 April 2019 Announcing the first cohort…
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